Furnishing Fascism

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A01=Ignacio G. Galan
architecture
Author_Ignacio G. Galan
Carlo Enrico Rava
Category=AKR
Category=AMX
Category=JPHX
Cinecitt
colonialism
Corriere della Sera
design history
Domus
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
exhibitions
film
furnishing
Gio Ponti
household goods
interior design
La Rinascente
magazines
Milano Triennale
minor art
modernism
museum
Mussolini
national identity
nationalism
New Italian House
politics
tourism

Product details

  • ISBN 9781517916824
  • Weight: 454g
  • Dimensions: 178 x 254mm
  • Publication Date: 13 May 2025
  • Publisher: University of Minnesota Press
  • Publication City/Country: US
  • Product Form: Paperback
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The role of modernist interior design in the construction of Italian nationalism

Along with the rise of Mussolini’s fascist regime, the interwar years in Italy also saw the widespread development of its modernist interior design and furnishing practices. While the regime’s politics were overtly manifest in monumental government architecture, Furnishing Fascism examines the subtler yet effective role of household goods and decor in the cultivation of Italy’s exclusionary sense of national identity.

Presenting a fresh look at the work of various architects and designers, including iconic figures such as Gio Ponti and Carlo Enrico Rava, Ignacio G. GalÁn explores how seemingly neutral products of everyday life contributed to the propagation of fascist ideology. Through extensive promotion in popular magazines and department stores, on the film sets of CinecittÀ Studios, and throughout the country’s colonial territories, Italy’s modernist design practices were part of a larger political project that aimed to produce a totalizing image of cultural hegemony.

Interweaving design theory, architectural history, and media scholarship, Furnishing Fascism reexamines the period’s so-called minor arts to reveal the political entanglement of modernism in early twentieth-century Italy and offers valuable insight into the complications of cultural production under the auspices of authoritarian power.

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Ignacio G. GalÁn is assistant professor of architecture at Barnard College, Columbia University.

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