Furniture-Makers and Consumers in England, 1754–1851

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A01=Akiko Shimbo
Architecture
Art
Artisans
Author_Akiko Shimbo
books
British decorative arts
Building industry
Business
cabinet
Cabinet Dictionary
Category=KCZ
Category=N
Category=NHB
Category=NHTB
Chippendale
Cities
consumer-producer relations
Curzon Street
Customer Number
design
dictionary
Disease
Domestic Advice Books
Domesticity
eighteenth-century interiors
English furniture trade networks
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Exhibitions
Factories
Furniture Showroom
Galleries
Government
Guinea
Ingenious Workman
Interior Goods
Journeymen Cabinet Makers
Labourers
Leeds
Literature
Liverpool
london
London Metropolitan Archives
London Showroom
Lowndes Square
material culture studies
Medicine
Museums
North Audley Street
Oxford Street
pattern
pattern book analysis
Pattern Books
Poetry
Post Office London Directory
Published Pattern Books
Publishing
Relationships
Science
showroom
Sir Edward Knatchbull
taste formation history
The Great Exhibition
thomas
Thomas Chippendale
Thomas King
trade
Trade Cards
Upholsterer's Guide
Upholsterer’s Guide
Upholstery Furniture
Upholstery Trades
Young Men

Product details

  • ISBN 9781138307155
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 02 Aug 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Covering the period from the publication of Thomas Chippendale's The Gentleman and Cabinet-Makers' Director (1754) to the Great Exhibition (1851), this book analyses the relationships between producer retailers and consumers of furniture and interior design, and explores what effect dialogues surrounding these transactions had on the standardisation of furniture production during this period. This was an era, before mass production, when domestic furniture was made both to order and from standard patterns and negotiations between producers and consumers formed a crucial part of the design and production process. This study narrows in on three main areas of this process: the role of pattern books and their readers; the construction of taste and style through negotiation; and daily interactions through showrooms and other services, to reveal the complexities of English material culture in a period of industrialisation.

Akiko Shimbo is Professor in the Department of Architecture and Environment Systems, School of Systems Engineering and Science, Shibaura Institute of Technology, Japan.

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