Future Imaginary in Indigenous North American Arts and Literatures

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A01=Kristina Baudemann
Alternate Reality Game
Archive Fever
Author_Kristina Baudemann
Back Iron
Blueberry Pie
Category=DSB
Category=JBSL11
Category=JHM
Colonial Archive
decolonial methodologies
Dense
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Extraterrestrial
Frame Tale
Future Imaginaries
Haudenosaunee Confederacy
Honour Dance
Immersive Virtual Realities
Indigenous digital humanities
Indigenous Future
Indigenous futurism literary studies
Indigenous North American
Kateri Tekakwitha
Longhouse
multimedia narrative strategies
North
Ohkay Owingeh
Red Spider
Saint Louis Bearheart
settler colonial critique
speculative fiction analysis
Violated
virtual archives research
VR User
White Earth Nation
Wounded Knee
Yellow Tail

Product details

  • ISBN 9780367754815
  • Weight: 560g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate that the future is not an immutable entity but a malleable textual/digital product that can function as both a colonial tool and a catalyst for decolonization. Central to this study is the development of a methodology that helps unearth the signifying structures producing the future in selected works by Darcie Little Badger, Gerald Vizenor, Stephen Graham Jones, Skawennati, Danis Goulet, Scott Benesiinaabandan, Postcommodity, Kite, Jeff Barnaby, and Ryan Singer. Drawing on Jason Lewis’s "future imaginary" as the theoretical core, the book describes the various forms of textual representation and virtual simulation through which notions of Indigenous continuation are expressed in literary and new media works. Arguing that Indigenous authors and artists apply the aesthetics of the future as a strategy in their works, the volume conceptualizes its multimedia corpus as a continuously growing archive of, and for, Indigenous futures.

Kristina Baudemann is an instructor and research assistant in the Department for English and American Studies at the Europa-Universität Flensburg in Germany.

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