Future of Digital Data, Heritage and Curation

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A01=Fiona R. Cameron
ACMI
Author_Fiona R. Cameron
automated curation systems
Bio Art
Biological entities
Category=GLZ
Category=JBCC
Category=UBJ
Category=UBL
Category=UDB
Category=UYQ
Climate change
Cultural Heritage Objects
data agency studies
digital archives theory
Digital Art Work
Digital Cultural Heritage
Digital Curation
Digital Data
Digital Heritage
Digital Memory
Digital Objects
Digital Preservation
Documentary Heritage
ecological informatics
Environmental destruction
environmental justice heritage
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Interfacial Images
Mass Digitization Projects
More-than-human museology
multispecies digital heritage research
National Library
Original Artefact
Played Back
posthuman museology
Social Bots
Te Kani
Technical Mentality
Trump's Tweets
Trump’s Tweets
UNESCO Charter
UNESCO's Vision
UNESCO’s Vision
United States Navy
Universal Heritage

Product details

  • ISBN 9780367711641
  • Weight: 730g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Mar 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Future of Digital Data, Heritage and Curation critiques digital cultural heritage concepts and their application to data, developing new theories, curatorial practices and a more-than-human museology for a contemporary and future world.

Presenting a diverse range of case examples from around the globe, Cameron offers a critical and philosophical reflection on the ways in which digital cultural heritage is currently framed as societal data worth passing on to future generations in two distinct forms: digitally born and digitizations. Demonstrating that most perceptions of digital cultural heritage are distinctly western in nature, the book also examines the complicity of such heritage in climate change, and environmental destruction and injustice. Going further still, the book theorizes the future of digital data, heritage, curation and the notion of the human in the context of the profusion of new types of societal data and production processes driven by the intensification of data economies and through the emergence of new technologies. In so doing, the book makes a case for the development of new types of heritage that comprise AI, automated systems, biological entities, infrastructures, minerals and chemicals – all of which have their own forms of agency, intelligence and cognition.

The Future of Digital Data, Heritage and Curation is essential reading for academics and students engaged in the study of museums, archives, libraries, galleries, archaeology, cultural heritage management, information management, curatorial studies and digital humanities.

Fiona R. Cameron is Senior Research Fellow at the Institute for Culture and Society, Western Sydney University, Australia. Her research is directed to the figuration of museum and digital cultural heritage theory and curatorial practice for a more-than-human world.

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