Futures of the Flesh

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A01=Domietta Torlasco
Andrei Tarkovsky
Author_Domietta Torlasco
Black Maternal
Black studies
Blackness
Blade Runner
Blade Runner 2049
Category=ATFA
Category=QDHR5
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Cauleen Smith
creative writing
cyborg
Deborah Stratman
Denis Villeneuve
diffraction
Edouard Glissant: Donna Haraway
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eq_bestseller
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eq_isMigrated=2
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eq_non-fiction
experimental cinema
feminism
film philosophy
forthcoming
Fred Moten
Giorgio Agamben
Hortense Spillers
installation art
Jacques Lacan
John Akomfrah
Karen Barad
maternality
Maurice Merleau-Ponty
Miryam Charles
neorealism: symbolic order
phenomenology
psychoanalysis
quantum physics
replicant
Ridley Scott
sci-fi
sci-fi film
sci-fi literature
screenplay writing
theoretical physics
Vicky Kirby
video art

Product details

  • ISBN 9798899480713
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Sep 2026
  • Publisher: Northwestern University Press
  • Publication City/Country: US
  • Product Form: Paperback
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Exploring alternative possibilities of viewpoint through cinematic experimentation

In this boldly multidimensional work, Domietta Torlasco alternates between theoretical writings, film essays, and fragmented excerpts from an original screenplay to construct a temporal as well as spatial architecture for her critical intervention. Futures of the Flesh posits that cinematic experimentation holds the strongest potential to reimagine life—its forms, rhythms, and affects—beyond the division between subject and object, human and animal, animate and inanimate. Such potential cannot be clearly located in either space or time but, on the contrary, requires that we think according to momentum, diffraction, and difference.

As a novel notion and the formative medium of both subject and object, the flesh affirms the openness and indefinite generativity of being, allowing for the appearance of new perceptual relations and forms of kinship. Torlasco stages a dialogue between thinkers including Hortense Spillers and Maurice Merleau-Ponty and turns to canonical films, including Blade Runner and Solaris, classic sci-fi literature, such as Octavia Butler's Kindred, and contemporary video art to elucidate how these media imaginatively rework the distinction between categories of being. This book endeavors to redefine the relation between theory and practice, analysis and creation, to name the primary relations that, under specific techno-aesthetic conditions, enable the emergence of porous, un-bordered forms of life.

Domietta Torlasco is a critical theorist, filmmaker, and professor of comparative literature at Northwestern University. She is the author of four books, including The Rhythm of Images: Cinema Beyond Measure. Her video essays have screened at the Los Angeles Museum of Contemporary Art in Los Angeles, the Walker Art Center in Minneapolis, and Kino Arsenal in Berlin, among others.

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