Futurist Cinema

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art manifestos studies
avant-garde
avant-garde visual culture research
Category=ATFA
Category=JBCT
Category=NH
cinema
early twentieth-century aesthetics
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eq_history
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experimental film history
film studies
futurism
Italian modernism
kinetic art analysis
visual perception theory

Product details

  • ISBN 9781041179948
  • Weight: 480g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions in order to create a new world. In the edited collection Futurist Cinema, Rossella Catanese explores that conjunction, bringing in avant-garde artists and their manifestos to show how painters and other artists turned to cinema as a model for overcoming the inherently static nature of painting in order to rethink it for a new era.

Rossella Catanese (PhD) is an associate professor at the University of Tuscia, Viterbo, Italy, and adjunct professor at NYU Florence. Her publications focus on avant-garde, experimental cinema, found footage, film heritage, and film restoration. She also received the Sixth Marcel Duchamp Research Grant from the Staatliches Museum Schwerin, Germany (2023).