Futuromania

Regular price €31.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
00's
10's
80s
90s
A Guy Called Gerald
A01=Simon Reynolds
Acen
Age Group_Uncategorized
Age Group_Uncategorized
Author_Simon Reynolds
automatic-update
Boards of Canada
Bring the Noise
Category1=Non-Fiction
Category=AVGP
Category=AVGV
Category=AVLP
Category=AVLX
COP=United Kingdom
Daft Punk
Delivery_Delivery within 10-20 working days
Depeche Mode
Derrick May
Dizzee Rascal
Donna Summer
Dylan Jones
Energy Flash
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Flying Lotus
Future
futuristic music
Gary Numan
Holly Herndon
innovation in music
Jam City
Jlin
Kanye West
Keith Hudson
Kraftwerk
Language_English
music journalism
music theory
music writing
nostalgia
Omni Trio
PA=Available
Patrick Cowley
Paul Morley
Phuture
Price_€20 to €50
PS=Active
Retromania
Rip it Up and Start Again
Ryuichi Sakamoto
Simon Reynolds
softlaunch
SOPHIE
Tangerine Dream
Terror Danjah
The Human League
The Mover
Totally Wired
Vangelis

Product details

  • ISBN 9781399618335
  • Weight: 640g
  • Dimensions: 162 x 238mm
  • Publication Date: 11 Apr 2024
  • Publisher: Orion Publishing Co
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

Pre-order Simon Reynold's forthcoming Still in a Dream: Shoegaze, Slackers, and the Reinvention of Rock, 1984-1994, publishing June 2026.

Simon Reynolds's first book in eight years is a celebration of music that feels like a taste of tomorrow. Sounds that prefigure pop music's future - the vanguard genres and heroic innovators whose discoveries eventually get accepted by the wider mass audience. But it's also about the way music can stir anticipation for a thrillingly transformed world just around the corner: a future that might be utopian or dystopian, but at least will be radically changed and exhilaratingly other.

Starting with an extraordinary chapter on Giorgio Moroder and Donna Summer, taking in illuminating profiles of Ryuichi Sakamoto, Boards of Canada, Burial, and Daft Punk, and arguing for Auto-Tune as the defining sound of 21st century pop, Futuromania shapes over two-dozen essays and interviews into a chronological narrative of machine-music from the 1970s to now. Reynolds explores the interface between pop music and science fiction's utopian dreams and nightmare visions, always emphasising the quirky human individuals abusing the technology as much as the era-defining advances in electronic hardware and digital software.

A tapestry of the scenes and subcultures that have proliferated in that febrile, sexy and contested space where man meets machine, Futuromania is an enthused listening guide that will propel readers towards adventures in sound. There is a lifetime of electronic listening here.

Simon Reynolds is the author of Energy Flash: A Journey through Rave Music and Dance Culture, Blissed Out: The Raptures of Rock, The Sex Revolts: Gender, Rebellions and Rock and Roll (co-written with Joy Press), Rip it Up and Start Again: Postpunk 1978 - 1984 and, most recently, Bring the Noise: Twenty Years of Hip Hop and Hip Rock.

More from this author