Gan's Constructivism

Regular price €67.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Kristin Romberg
activism
architectural theory
art
art criticism
art history
artists
Author_Kristin Romberg
authorship
biographical
career
Category=AB
Category=AGA
cold war abstractions
design
engaging
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
feminist theory
historical
history
history of science
labor process
lively
mass media objects
modernism
page turner
paintings
political agitator
political art
political organizer
political theory
revolt
russian constructivism
russian revolution
sociology
solidarity
soviet russia

Product details

  • ISBN 9780520298538
  • Weight: 998g
  • Dimensions: 178 x 254mm
  • Publication Date: 22 Jan 2019
  • Publisher: University of California Press
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns
This compelling new account of Russian constructivism repositions the agitator Aleksei Gan as the movement’s chief protagonist and theorist. Primarily a political organizer during the revolution and early Soviet period, Gan brought to the constructivist project an intimate acquaintance with the nuts and bolts of “making revolution.” Writing slogans, organizing amateur performances, and producing mass-media objects define an alternative conception of “the work of art”—no longer an autonomous object but a labor process through which solidarities are built. In an expansive analysis touching on aesthetic and architectural theory, the history of science and design, sociology, and feminist and political theory, Kristin Romberg invites us to consider a version of modernism organized around the radical flattening of hierarchies, a broad distribution of authorship, and the negotiation of constraints and dependencies. Moving beyond Cold War abstractions, Gan’s Constructivism offers a fine-grained understanding of what it means for an aesthetics to be political.
 
Kristin Romberg is Assistant Professor of Art History at the University of Illinois at Urbana-Champaign.

More from this author