Garland Handbook of Latin American Music

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accordion
Afro-Peruvian Music
amerindian
Amerindian Communities
Ancient Musical Instruments
Bloco Afro
Bossa Nova
Brazilian Popular Music
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Caribbean Latin America
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Common Language
communities
Conch Trumpet
cross-cultural music analysis
Cuban Music
cultural identity formation
Demarcation Line
dominican
Duct Flutes
East Indies
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eq_music
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ethnomusicology research
festival
Garcilaso De La Vega
Globular Flutes
indigenous musical traditions research
Latin American ethnography
Latin American Music
Log Idiophone
Los Panchos
musical instrument symbolism
patronal
popular
regional musicology studies
republic
Samba De
Samba De Roda
Santa Rosa De Lima
Smithsonian Folkways Video Anthology
Son Jarocho
ute
Vertical Flute
Young Man

Product details

  • ISBN 9780415961011
  • Weight: 1292g
  • Dimensions: 203 x 254mm
  • Publication Date: 24 Oct 2007
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Garland Handbook of Latin American Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 2, South America, Mexico, Central America, and the Carribean, (1998). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Latin America and examine the ways in which music helps to define the identity of this particular area.

Part One provides an in-depth introduction to the area of Latin America and describes the history, geography, demography, and cultural settings of the regions that comprise Latin America. It also explores the many ways to research Latin American music, including archaeology, iconography, mythology, history, ethnography, and practice. Part Two focuses on issues and processes, such as history, politics, geography, and immigration, which are responsible for the similarities and the differences of each region’s uniqueness and individuality. Part Three focuses on the different regions, countries, and cultures of Caribbean Latin America, Middle Latin America, and South America with selected regional case studies.

The second edition has been expanded to cover Haiti, Panama, several more Amerindian musical cultures, and Afro-Peru. Questions for Critical Thinking at the end of each major section guide focus attention on what musical and cultural issues arise when one studies the music of Latin America -- issues that might not occur in the study of other musics of the world. Two audio compact discs offer musical examples of some of the music of Latin America.

Dale A. Olsen is Distinguished Research Professor of Ethnomusicology at Florida State University.

Daniel E. Sheehy directs nonprofit, educational Smithsonian Folkways Recordings and Smithsonian Global Sound.