Gauguin

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A14=Alastair Wright
A14=Christopher Riopelle
A14=Claire Guitton
A14=Cornelia Homburg
A14=Dario Gamboni
A14=Elizabeth Childs
A14=Linda Goddard
A14=Line Clausen Pedersen
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art
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Category1=Non-Fiction
Category=AGB
COP=Italy
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French
Language_French
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paintings
PaulGauguin
portraits
postimpressionsim
Price_€20 to €50
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softlaunch
symbolic

Product details

  • ISBN 9788874398584
  • Weight: 2070g
  • Dimensions: 230 x 290mm
  • Publication Date: 12 Sep 2019
  • Publisher: Five Continents Editions
  • Publication City/Country: IT
  • Product Form: Hardback
  • Language: French
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Many of Gauguin’s portraits of Breton and Polynesian sitters, as well as his self-portraits, include inanimate objects. Intriguing as these are, the works in Paul Gauguin’s portrait gallery have never really been the subject of a thorough study. This book, first published in English in 2005, fills a gap in the scholarly literature on Gauguin, one of the leading figures in post-Impressionist art, with an in-depth, well-illustrated examination of his portraits. An array of experts on Gauguin’s art reflect on the symbolic attributes his models were endowed with, and the meaning behind the evocative settings he chose for them. The authors explore the many aspects of the artist’s portraits, often in light of the remarks he made about his models, and focus on their importance in relation to his larger oeuvre. This book, which is intended as a standard text in this field, includes essays written by experts in Gauguin’s work, all established scholars and researchers.

Text in French.

Cornelia Homburg is curator of the Washington University Gallery of Art and visiting curator at the National Gallery of Canada (Ottawa). Christopher Riopelle is the curator of post-1800 paintings at the National Gallery in London. Elizabeth Childs is the director of the Department of Art History and Archaeology at the University of Washington in St Louis. She specialises in nineteenth- and twentieth-century European modernism. Line Clausen Pedersen is the curator of the modern art collection at the Ny Carlsberg Glyptothek (Copenhagen). Dario Gamboni is Professor of Art History at the University of Geneva. His publications include Paul Gauguin at the Mysterious Centre of Thought. Linda Goddard is Senior Lecturer in Art History at St. Andrews University in Scotland. Her research centres on artists' writings, word and image studies, the visual and literary cultures of travel and colonialism, and eighteenth- to twentieth-century art and literature. Claire Guitton teaches at the École du Louvre and is Cornelia Homburg's research assistant. Alastair Wright is Associate Professor in the History of Art at St. John's College, Oxford. His research concentrates on European modernism.