Gay Conversion Practices in Memoir, Film and Fiction

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Boy Erased
But I'm a Cheerleader
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church and family
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ex-gay movement
film and fiction
film studies
Gay conversion therapy
institutional power
interdisciplinary studies
LGBTQ+ rights.
LGBTQ+ studies
literary studies
memoir
mental health
pathologizing queerness
psychiatry and sexuality
queer cinema
queer representation
queer theory
religion and sexuality
reparative therapy
representation and identity
sexuality and culture
social movements
survivor narratives
This is What Love in Action Looks Like
trauma and recovery

Product details

  • ISBN 9781350289871
  • Weight: 380g
  • Dimensions: 134 x 214mm
  • Publication Date: 22 Jan 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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For over half a century, organizations and individuals promoting ex-gay, conversion and/ or reparative therapy have pushed the tenet that a person may be able to, and should, alter their sexual orientation. Their so-called treatments or therapies have taken various forms over the decades, ranging from medical (including psychiatric or psychological) rehabilitation approaches, to counselling, and religious healing.

Gay Conversion Practices in Memoir, Film and Fiction provides an in-depth exploration of the disturbing phenomenon of gay conversion ‘therapy’ and its fictional and autobiographical representations across a broad range of films and books such as But I’m a Cheerleader! (1999), This is What Love in Action Looks Like (2011) and Boy Erased (2018). In doing so, the volume emphasizes the powerful role the arts and media play in communicating stories around conversion practices. Approaching the timely and urgent subject from an interdisciplinary perspective, contributors utilize film theory, queer theory, literary theory, mental health and social movement theory to discuss the medicalization and pathologizing of queer people, the power of institutions ranging from church, psychiatry and family (sometimes in alliance), and the real and fictional voices of survivors.

James Bennett is an Honorary Academic at the University of Auckland, New Zealand. He is author of ‘Rats and Revolutionaries’: The Labour Movement in Australia and New Zealand 1890-1940 (2004), co-author (with David Betts) of Marriage Equality and Resurgent Prejudice in Australia (2026) and co-editor (with Rebecca Beirne) of Making Film and Television Histories: Australia & New Zealand (2011). He is a specialist in the histories of medicalizing and de-medicalizing homosexuality.

Marguerite Johnson is Honorary Professor in the School of Historical and Philosophical Inquiry, University of Queensland, Australia. She is the author of the second edition of Sexuality in Greek and Roman Society and Literature: A Sourcebook (2022), Ovid on Cosmetics (Bloomsbury, 2015), and co-editor (with Harold Tarrant) of Alcibiades and the Socratic Lover-Educator (Bloomsbury, 2012).