1970s radical art
A01=Rebecca Binns
Age Group_Uncategorized
Age Group_Uncategorized
Anarcho-feminism
Author_Rebecca Binns
automatic-update
Banksy
Category1=Non-Fiction
Category=ACXD7
Category=ACXJ8
Category=AGA
Category=AGB
Category=AVGU
Category=AVLP
COP=United Kingdom
Crass
Dada
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€50 to €100
PS=Active
Punk
softlaunch
Stonehenge Festival
Thatcherism
Underground Press
Young British Artists
Product details
- ISBN 9781526147899
- Weight: 649g
- Dimensions: 156 x 234mm
- Publication Date: 15 Nov 2022
- Publisher: Manchester University Press
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
As one of the people who defined punk’s protest art in the 1970s and 1980s, Gee Vaucher (b. 1945) deserves to be much better-known. She produced confrontational album covers for the legendary anarchist band Crass and later went on to do the same for Northern indie legends the Charlatans, among others. More recently, her work was recognised the day after Donald Trump's 2016 election victory, when the front page of the Daily Mirror ran her 1989 painting Oh America, which shows the Statue of Liberty, head in hands. This is the first book to critically assess an extensive range of Vaucher’s work. It examines her unique position connecting avant-garde art movements, counterculture, punk and even contemporary street art. While Vaucher rejects all ‘isms’, her work offers a unique take on the history of feminist art.
Rebecca Binns is a writer and lecturer on art, design and cultural history
