19th-century American printing techniques
19th-century American prints
19th-century book illustrators
19th-century illustrated books
A01=Georgia Brady Barnhill
American art and book culture
American book illustrators
American book trade history
American engraving history
American illustrated books history
American print culture after the Revolutionary War
American printing innovations
American printing revolution
Antique book illustration
Art accessibility in early America
art commissions for fiction and poetry books
art history of American book making
Art in 19th-century
art on paper and cultural life
Artistic collaboration in publishing
artistic legacy in American literature
Artists and authors in early America
Author_Georgia Brady Barnhill
Book collecting in early America
Book illustration and storytelling
book illustration shaping reader understanding
Category=AGA
Category=DSBF
Category=DSC
Class and culture in book ownership
collaboration of draftsmen
Craftsmanship in book design
democratization of art through books
Early American illustration
Early American newspapers and prints
Early American publishers
Early American publishing industry
engravers
enhancing poetry with commissioned art
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
evolution of American book aesthetics
Evolution of book illustrations
fine art transformation in publishing
Georgia Brady Barnhill American visual history
Growth of American readership
growth of book illustration in the US
History of American book design
History of American book illustration
history of book illustration technology
How illustrations shaped literature
illustrated books in early America
Illustrated fiction in the 1800s
illustrated poetry and fiction development
Illustrated poetry books
illustrated texts and reader experience
Illustrating literature in early America
Illustration and literary meaning
impact of art on American literary culture
literary and artistic collaboration
literary enrichment through engravings
middle class access to illustrated books
nineteenth-century art publishing practices
overlooked early American illustrators
Poetry illustration in early America
printers
Printing and publishing in early America
Printing technology in America
prints and art as national treasures
production costs and risks for bookmakers
Publisher-artist partnerships
publishers investing in fine art prints
Reading habits of 19th-century Americans
Relationship between art and literature
relationship between text and illustration
Revolutionary War print culture
Rise of book illustration
rise of visual literacy in America
The business of book illustration
The role of visual storytelling in books
U.S. publishing and cultural development
visual art in 19th-century publishing
Visual culture in early America
visual innovation in literary criticism
Visual literacy in the 1800s
Visual narrative in early print
visual storytelling in printed books
Product details
- ISBN 9781625346216
- Weight: 677g
- Dimensions: 152 x 228mm
- Publication Date: 21 Dec 2021
- Publisher: University of Massachusetts Press
- Publication City/Country: US
- Product Form: Paperback
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In the immediate aftermath of the Revolutionary War, only the wealthiest Americans could afford to enjoy illustrated books and prints. But, by the end of the next century, it was commonplace for publishers to load their books with reproductions of fine art and beautiful new commissions from amateur and professional artists.
Georgia Brady Barnhill, an expert on the visual culture of this period, explains the costs and risks that publishers faced as they brought about the transition from a sparse visual culture to a rich one. Establishing new practices and investing in new technologies to enhance works of fiction and poetry, bookmakers worked closely with skilled draftsmen, engravers, and printers to reach an increasingly literate and discriminating American middle class. Barnhill argues that while scholars have largely overlooked the efforts of early American illustrators, the works of art that they produced impacted readers' understandings of the texts they encountered, and greatly enriched the nation's cultural life.
Georgia Brady Barnhill, an expert on the visual culture of this period, explains the costs and risks that publishers faced as they brought about the transition from a sparse visual culture to a rich one. Establishing new practices and investing in new technologies to enhance works of fiction and poetry, bookmakers worked closely with skilled draftsmen, engravers, and printers to reach an increasingly literate and discriminating American middle class. Barnhill argues that while scholars have largely overlooked the efforts of early American illustrators, the works of art that they produced impacted readers' understandings of the texts they encountered, and greatly enriched the nation's cultural life.
