Gender and Dance in Modern Iran

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A01=Ida Meftahi
Ali Naqi Vaziri
ali-naqi
Author_Ida Meftahi
Belly Dance
body
body politics
cabaret
Cabaret Dancers
Cabaret Owner
Cabaret Stage
Category=ATQ
Category=GTM
Category=JBSF
Category=NHG
Classical Western Art Music
Dance Segments
dancer
dancing
Dancing Body
Dominant Nationalist Discourse
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
era
Erotic Zones
feminist theory
folk
Haji Aqa
Harem Scenes
Independent Woman
Iranian Cinema
Iranian cultural history
Iranian Dance
Iranian National Culture
national
National Dance
pahlavi
Pahlavi Era
performance studies
Performative Motifs
Post-revolutionary Stage
postcolonial analysis
Pre-revolutionary Iran
Reza Shah
Rhythmic Movements
Southern Tehran
staged dance in twentieth-century Iran
Tudeh Party
urban modernity
vaziri

Product details

  • ISBN 9780815348832
  • Weight: 370g
  • Dimensions: 156 x 234mm
  • Publication Date: 13 Dec 2017
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Paperback
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Gender and Dance in Modern Iran: Biopolitics on Stage investigates the ways dancing bodies have been providing evidence for competing representations of modernity, urbanism, and religiosity across the twentieth century.

Focusing on the transformation of the staged dancing body, its space of performance, and spectatorial cultural ideology, this book traces the dancing body in multiple milieus of performance, including the Pahlavi era’s national artistic scene and the popular café and cabaret stages, as well as the commercial cinematic screen and the post-revolutionary Islamized theatrical stage. It links the socio-political discourses on performance with the staged public dancer, in order to interrogate the formation of dominant categories of "modern," "high," and "artistic," and the subsequent "othering" of cultural realms that were discursively peripheralized from the "national" stage. Through the study of archival and ethnographic research as well as a diverse literature pertaining to music, theater, cinema, and popular culture, it combines a close reading of primary sources such as official documents, press materials, and program notes with visual analysis of filmic materials and imageries, as well as interviews with practitioners. It offers an original and informed exploration into the ways performing bodies and their public have been associated with binary notions of vice and virtue, morality and immorality, commitment and degeneration, chastity and eroticism, and veiled-ness and nakedness.

Engaging with a range of methodological and historiographical methods, including postcolonial, performance, and feminist studies, this book is a valuable resource for students and scholars of Middle East history and Iranian studies, as well as gender studies and dance and performance studies.

Ida Meftahi is Visiting Assistant Professor in contemporary Iranian culture and society at the Roshan Institute for Persian Studies, University of Maryland. Her interdisciplinary historical research transcends the studies of gender, dance, theatre, cinema, public entertainment, and performative politics.

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