Gender and the Musical Canon

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A01=Marcia J. Citron
Author_Marcia J. Citron
Category=AV
Cecile Chaminade's sonata for piano
composers
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
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eq_music
eq_nobargain
eq_non-fiction
feminist theory
interdisciplinary theory
International Alliance of Women in Music
key concepts
music criticism
Pauline Alderman Prize
western art music canon
women

Product details

  • ISBN 9780252069161
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Nov 2000
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
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A classic in gender studies in music

Marcia J. Citron's comprehensive, balanced work lays a broad foundation for the study of women composers and their music. Drawing on a diverse body of feminist and interdisciplinary theory, Citron shows how the western art canon is not intellectually pure but the result of a complex mixture of attitudes, practices, and interests that often go unacknowledged and unchallenged.

Winner of the Pauline Alderman Prize from the International Alliance of Women in Music, Gender and the Musical Canon explores important elements of canon formation, such as notions of creativity, professionalism, and reception. Citron surveys the institutions of power, from performing organizations and the academy to critics and the publishing and recording industries, that affect what goes into the canon and what is kept out. She also documents the nurturing role played by women, including mothers, in cultivating female composers. In a new introduction, she assesses the book's reception by composers and critics, especially the reactions to her controversial reading of Cécile Chaminade's sonata for piano.

A key volume in establishing how the concepts and assumptions that form the western art music canon affect female composers and their music, Gender and the Musical Canon also reveals how these dynamics underpin many of the major issues that affect musicology as a discipline.

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