Gender and the Woman Artist in Early Modern Iberia

Regular price €198.40
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Catherine Hall-van den Elsen
Age Group_Uncategorized
Age Group_Uncategorized
agency
Ana Heylan
art history
Author_Catherine Hall-van den Elsen
automatic-update
Braganza
Category1=Non-Fiction
Category=AC
Category=AFC
Category=AFKB
Category=AGA
Category=JBSF1
Category=JFSJ1
Catholic
Charles II
church
class
convent
conventual artistic production
COP=United Kingdom
Council of Trent
creative women in Iberia
culture
Delivery_Delivery within 10-20 working days
early modern studies
engravers
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
family
female
gender
gender studies
Hapsburg
Iberian Peninsula women
Iberian Union
Joao IV
Josefa de Ayala
Language_English
Maria de Morales Valdes
Maria Eugenia de Beer
marriage
married women
microhistory methodology
nuns
PA=Available
painters
patriarchy
Philip II
Philip III
Philip IV
Portugal
Price_€100 and above
PS=Active
religion
Renaissance
Roldan
sculptors
Sevilla
Seville
social constructs art
society
Sofonisba Anguissola
softlaunch
Sor Andrea de Mena
Sor Cecilia del Nacimiento
Sor Maria de la Santisima Trinidad
Sor Maria de San Alberto
Soror Estefania
Soror Juana Baptista
Spain
unmarried women
visual art
visual culture analysis
women

Product details

  • ISBN 9781032283487
  • Weight: 470g
  • Dimensions: 174 x 246mm
  • Publication Date: 31 Jan 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

This monograph explores the social constructs surrounding artistic production in early modern Iberia through the lenses of gender and class by examining the rarely considered contribution of creative women in Spain and Portugal between 1550 and 1700.

Using the life-stage framework popular in texts of the period and drawing on a broad spectrum of materials including conduct guidebooks, treatises and conventual rules, this book examines the constraints imposed by gender-related social structures through microhistories of nuns, married, and unmarried women. The text spans class boundaries in its analysis of the work of painters, engravers, and sculptors, many of whom have until now eluded scholarly attention in English-language publications. An extensive bibliography promotes new avenues of inquiry into women’s contributions to the visual arts of the period.

This book will be of interest to scholars working in art history, gender studies, women’s history, early modern Iberian studies, and Renaissance studies.

Catherine Hall-van den Elsen, Ph.D., has a long-standing interest in the lives of the women of early modern Spain and Portugal. In 2018, she published a monograph in Spanish on the sculptor Luisa Roldán, in 2020, an annotated bibliography for the Oxford Bibliographies series, and in 2021, the monograph Luisa Roldán for an English-speaking audience.

More from this author