Gender Hierarchy of Masculinity and Femininity during the Chinese Cultural Revolution

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A01=Zhuying Li
Author_Zhuying Li
Azalea Mountain
Beijing Opera
Category=JBSF
CCP Organisation
CCP's Propaganda
CCP’s Propaganda
Chinese gender politics
Chinese's cultural revolution
Confucian gender norms
Counter-revolutionary Men
Cultural Revolution
Dragon River
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eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Female Communists
Female Soldiers
Female Warriors
Feminist Critical Discourse Analysis
feminist film analysis
Gender Discourse
Gender Equality
gendered representation in Chinese opera
Hegemonic Masculinity
ideological apparatus study
Iron Girls
Jiang Qing
Li Yuhe
Mao era visual culture
Maoist Ideology
Maoist's ideology
masculinist domination
masculinist power
Red Detachment
Red Lantern
Revolutionary Masculinity
Revolutionary Opera
sociological gender theory
women's social identity
Xie Tieli
Yin Yang Philosophy
Yin Yang Symbolism

Product details

  • ISBN 9780367622701
  • Weight: 480g
  • Dimensions: 138 x 216mm
  • Publication Date: 30 May 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Focusing on the influence of Maoist ideology and masculinist power on the representations of women in revolutionary opera films made during the Cultural Revolution, this book considers the gendered hierarchy between masculinity and femininity in relation to the historic and cultural context in which they were made.

Using feminist methodology and epistemology to locate women’s social identity, this book explores the sociological connections between the masculinisation of women and masculinist domination in the context of the Cultural Revolution. Through film analysis, the author examines whether women, rather than 'liberated', were in fact re-gendered and oppressed by masculinist power. By critically evaluating gender hierarchy during the Chinese Cultural Revolution, the book provides hitherto neglected insights into gender within its social and cultural context.

This an interdisciplinary book which should appeal to students and scholars across a range of disciplines, including gender studies, Asian studies, China studies, cultural studies and film studies.

Zhuying Li holds a Master’s Degree from Monash University and a Ph.D. in Communication and Media Studies from RMIT University in Australia. Her research areas include gender studies, China studies, and cultural studies.

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