Gender in Chinese Music

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A32=Joseph Lam
A32=Judith T. Zeitlin
A32=Rachel Harris
A32=Rowan Pease
A32=Shzr Ee Tan
A32=Stephen Jones
A32=Tiantian Zheng
Age Group_Uncategorized
Age Group_Uncategorized
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B01=Rachel Harris
B01=Rowan Pease
B01=Shzr Ee Tan
Category1=Non-Fiction
Category=AV
Category=JBSF
Category=JFSJ
Chinese culture
Chinese Music
COP=United States
cultural notions
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
femininity
Gender
Language_English
masculinity
observing traditions
PA=Available
performance
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9781580465441
  • Weight: 446g
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Jul 2015
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Gender in Chinese Music draws together contributions from ethnomusicologists, anthropologists, and literary scholars to explore how music is implicated in changing notions of masculinity, femininity, and genders "in between" in Chinese culture. Village ritualists, international classical pianists, pop idols, and professional mourners -- whether they perform in temples, on concert stages, or in TV shows, Chinese musicians continually express and negotiate their gendered identities. Gender in Chinese Music brings together contributions from ethnomusicologists, anthropologists, and literary scholars to explore how gender is not only manifested in the diverse musical traditions of Chinese culture but also constructed through performing and observing these traditions. Individual chapters examine unique music cultures ranging from those of courting couples in China's heartlands to ethnic minority singers in the borderlands, and from Ming-period courtesans to contemporary karaoke hostesses. The book also features interviews with musicians, music industry workers, and fans talking about gender. With its wide-ranging subject matter and interdisciplinary approach, this volume will be an important resource for researchers and students interested in how music is implicated in the changing notions of masculinity, femininity, and genders "in between." Contributors: RuardAbsaroka, Rachel Harris, Stephen Jones, Frank Kouwenhoven, Olivia Kraef, Joseph Lam, Rowan Pease, Antoinet Schimmelpenninck, Hwee-San Tan, Shzr Ee Tan, Xiao Mei, Judith Zeitlin, Tiantian Zheng. Rachel Harris is Reader in the Music of China and Central Asia at SOAS, University of London. Rowan Pease is Senior Teaching Fellow at SOAS, University of London. Shzr Ee Tan is Senior Lecturer in Music at Royal Holloway, University of London.