Gender, Nation and Popular Film in India

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A01=Sikata Banerjee
amitabh
Author_Sikata Banerjee
basanti
Bollywood masculinity
Category=ATF
Category=JBCC1
Category=JBSF
Category=JBSL
Category=JPFN
Category=NHTB
Chak De
Chak De India
class
Desi Youth
Dhobi Ghat
Diasporic Films
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Grandfather's Diary
Grandfather’s Diary
Hindi Films
Hindi Popular Film
Hindu nationalism studies
Hrithik Roshan
IIFA
interpretive film methodology
Jallianwala Bagh
majoritarian politics India
mangal
Martial Man
Martial Prowess
Mary Kom
masculinity and nationalism in Bollywood cinema
middle
Mission Kashmir
Mumbai Film Industry
muscular
Muscular Nationalism
Muslim Body
nationalism
neoliberal cultural analysis
pandey
Pew Global Attitudes Survey
rang
Rang De Basanti
South Asian gender
Sri Devi
Sri Sri Ravi Shankar
Tamil Nadu
transnational
Transnational Middle Class
Young Man

Product details

  • ISBN 9780367025588
  • Weight: 280g
  • Dimensions: 138 x 216mm
  • Publication Date: 23 Aug 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Interpretations of manhood have unfolded in India within a middle class cultural milieu shaped by an assertive self-confidence fuelled by liberalisation, a process by which India has been integrated into the global political economy and the prominence of Hindutva or Hindu nationalist politics.

This book unpacks a particular gendered vision of nation in the modern Indian context by drawing on popular films. This muscular nationalism is an intersection of a specific vision of masculinity with the political doctrine of nationalism. The idea of nation is animated by an idea of manhood associated with martial prowess, muscular strength and toughness, but coupled with the image and construct of virtuous woman – a gendered binary of martial man and chaste woman. The author skilfully and convincingly draws together issues of political economy, including globalization and neoliberalism with majoritarian politics and popular culture, thus showing how disparate strands intersect and build on each other.

Using interpretive methodologies and popular media, the book presents new interpretations of Bollywood films through the lenses of gender, masculinity and nationalism. It will be of interest to scholars of South Asian politics and culture, in particular Indian nationalism, popular culture, media and gender studies.

Sikata Banerjee is Professor of Gender Studies at the University of Victoria, Canada.

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