Gender, Sexuality, and Material Objects in English Renaissance Verse

Regular price €46.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Pamela S. Hammons
Aemilia Lanyer
Age Group_Uncategorized
Age Group_Uncategorized
Anne Vavasour
Author_Pamela S. Hammons
automatic-update
beloved
Blazing World
Bolsover Castle
Call Attention
Category1=Non-Fiction
Category=DSB
Category=DSBD
Category=DSC
cavendish
COP=United Kingdom
country
Country House Discourse
Country House Poems
Country House Verse
Delivery_Pre-order
early modern literature
English Renaissance Verse
English Renaissance Women
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
female
Female Beloved
Female Speaker
gendered ownership in Renaissance poetry
Gift Exchange
Gift Giving
Gift Poem
Hair Bracelet
house
jane
Jane Cavendish
Language_English
Love Lyric
Love Tokens
manuscript verse research
margaret
Margaret Cavendish
material culture studies
PA=Not yet available
patriarchal legal structures
poems
poetic agency analysis
Poetic Speakers
poets
Price_€20 to €50
property rights history
PS=Active
Renaissance Love Lyrics
softlaunch
Sun Shine
women
Women Poets
Women's Poems
Women’s Poems

Product details

  • ISBN 9781032925998
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns
An important contribution to recent critical discussions about gender, sexuality, and material culture in Renaissance England, this study analyzes female- and male-authored lyrics to illuminate how gender and sexuality inflected sixteenth- and seventeenth-century poets' conceptualization of relations among people and things, human and non-human subjects and objects. Pamela S. Hammons examines lyrics from both manuscript and print collections”including the verse of authors ranging from Robert Herrick, John Donne, and Ben Jonson to Margaret Cavendish, Lucy Hutchinson, and Aemilia Lanyer”and situates them in relation to legal theories, autobiographies, biographies, plays, and epics. Her approach fills a crucial gap in the conversation, which has focused upon drama and male-authored works, by foregrounding the significance of the lyric and women's writing. Hammons exposes the poetic strategies sixteenth- and seventeenth-century English women used to assert themselves as subjects of property and economic agents”in relation to material items ranging from personal property to real estate”despite the dominant patriarchal ideology insisting they were ideally temporary, passive vehicles for men's wealth. The study details how women imagined their multiple, complex interactions with the material world:the author shows that how a woman poet represents herself in relation to material objects is a flexible fiction she can mobilize for diverse purposes. Because this book analyzes men's and women's poems together, it isolates important gendered differences in how the poets envision human subjects' use, control, possession, and ownership of things and the influences, effects, and power of things over humans. It also adds to the increasing evidence for the pervasiveness of patriarchal anxieties associated with female economic agency in a culture in which women were often treated as objects.
Pamela S. Hammons is an associate professor of English at the University of Miami, USA.

More from this author