Gendered Tropes in War Photography

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A01=Marta Zarzycka
affect theory
Author_Marta Zarzycka
Bergen Belsen Concentration Camp
body
boko
Border Protection Command
Category=AJ
Category=JBCT
Category=JBSF
Category=JBSF1
Category=JBSF11
Category=JW
Dead Female Body
delahaye
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Family Snaps
female
Female Corpse
Female Engagement Teams
feminist visual analysis
haram
Humanitarian Aid
humanitarian imagery
Humanitarian Space
luc
Luc Delahaye
Male Soldiers
media depictions of conflict
mourning
Mourning Woman
Musa Qala
NGO Campaign
NGO Representation
Normative Gender Categories
Photographic Trope
Postmortem Photography
press
Protest Photographs
Refugee Woman
Syrian Refugees
trauma representation
Violated
visual culture studies
visual politics of gender in war
War Time
woman
Woman Protester
Women Soldiers
world
Younger Man

Product details

  • ISBN 9781138815360
  • Weight: 385g
  • Dimensions: 152 x 229mm
  • Publication Date: 27 Sep 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Photographic stills of women, appearing in both press coverage and relief campaigns, have long been central to the documentation of war and civil conflict. Images of non-Western women, in particular, regularly function as symbols of the misery and hopelessness of the oppressed. Featured on the front pages of newspapers and in NGO reports, they inform public understandings of war and peace, victims and perpetrators, but within a discourse that often obscures social and political subjectivities.

Uniquely, this book deconstructs – in a systematic, gender-sensitive way – the repetitive circulation of certain images of war, conflict and state violence, in order to scrutinize the role of photographic tropes in the globalized visual sphere. Zarzycka builds on feminist theories of representations of war to explore how the concepts of femininity and war secure each other’s intelligibility in photographic practices. This book examines the complex connections between photographic tropes and the individuals and communities they represent, in order to rethink the medium of photography as a discursive and political practice.

This book interrogates both the structure and transmission of contemporary encounters with war, violence, and conflict. It will appeal to advanced students and scholars of gender studies, visual studies, media studies, photography theory, cultural anthropology, cultural studies, and trauma and memory studies.

Marta Zarzycka is Assistant Professor in the Gender Studies Department at the Institute of Media and Culture, Utrecht University, the Netherlands.

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