General History of Chinese Film I

Regular price €51.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Ding Yaping
Age Group_Uncategorized
Age Group_Uncategorized
Anti-Japanese War
Author_Ding Yaping
automatic-update
B06=Jin Haina
Cai Chusheng
Cantonese Films
Category1=Non-Fiction
Category=AB
Category=AC
Category=AGA
Category=GTB
Category=GTM
Category=H
Category=JBCT
Category=JFD
Central Film Studio
Cheng Bugao
Chinese cinema sociopolitical context
Chinese Film
Chinese Film History
cinematic narrative analysis
COP=United Kingdom
Delivery_Pre-order
early cinema studies
Eighth Route Army
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fei Mu
film industry development
Hu Die
Language_English
Left Wing Films
Li Lihua
Li Minwei
Luo Mingyou
media historiography
PA=Not yet available
Price_€20 to €50
Princess Iron Fan
PS=Forthcoming
Ruan Lingyu
Shanghai film exhibition
Shi Dongshan
softlaunch
Spring River Flows East
Spring Silkworms
wartime cultural production
Yang Hansheng
Yuan Muzhi
Zhang Henshui
Zhang Shichuan
Zheng Zhengqiu
Zhu Shilin

Product details

  • ISBN 9781032069524
  • Weight: 660g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Sep 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

The early years of the history of Chinese film have lately been the subject of resurgent interest and a growing body of scholarship has come to recognise and identify an extraordinarily diverse and complex period. This volume explores the development of Chinese film from 1896 to 1949.

The volume covers the screening of foreign films in Shanghai, Hong Kong and other coastal cities in China, the technological and industrial development of Chinese national cinema, key filmmakers and actors of early Chinese cinema, changing modes of representation and narration, as well as the social and cultural contexts within which early Chinese films were produced and circulated. The relationship between the War of Resistance against Japan and the Chinese civil war and Chinese film is also explored.

The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies and media studies, helping readers develop a comprehensive understanding of Chinese film.

Ding Yaping is the Director of the Film and Television Research Institute of the Chinese National Academy of Arts. He specializes in the history of Chinese film and has published more than 20 monographs.

Jin Haina is professor of translation, film and communication studies at the Communication University of China. Her research interests include film translation, translation history, and film history.

More from this author