General History of Chinese Film II

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A01=Ding Yaping
Author_Ding Yaping
Azalea Mountain
Cai Chusheng
Category=ATF
Category=JBCT
Chen Huangmei
Chinese Cinema
Chinese Film History
Chinese visual culture
cultural revolution media
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Film Bureau
Forbidden City
Jiang Qing
Li Wenhua
Liberation War
Maoist era cinema
Model Opera
Peking Opera
Peking Opera Troupe
political ideology in Chinese filmmaking
propaganda film analysis
Red Detachment
Revolutionary Model Operas
Shanghai Animation Film Studio
Shanghai Film Studio
Shi Dongshan
socialist realism
Tao Xingzhi
twentieth century film studies
White Haired Girl
Wu Xun
Xie Tieli
Yao Wenyuan
Yuan Muzhi
Zhu Shilin

Product details

  • ISBN 9781032069531
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 Oct 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Since 1949, Chinese film has been greatly influenced by a variety of historical, cultural, and political events in the history of the People’s Republic of China. This volume explores the development of Chinese film from 1949 to 1976.

This volume restores Chinese film to its original historical form and assesses its complex relationship with society, politics, culture, and art in the Maoist period. The 17-year films, Cultural Revolution-era films, the influence of model operas, and the documentary newsreels of Xinwen Jianbao are discussed. Combining a macro-perspective with a micro-perspective, the author analyzes the special characteristics of Chinese film in this period and showcases the inheritance and differences between earlier Chinese film and Chinese film in the newly founded the People’s Republic of China.

The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies, and media studies, helping readers develop a comprehensive understanding of Chinese film.

Ding Yaping is the Director of the Film and Television Research Institute of the Chinese National Academy of Arts. He specializes in the history of Chinese film and has published more than 20 monographs.

Jin Haina is professor of translation, film, and communication studies at the Communication University of China. Her research interests include film translation, translation history, and film history.

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