General History of Chinese Film III

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A01=Ding Yaping
Age of Digitalization
Author_Ding Yaping
Beijing Film Academy
Box Office Revenues
Bullets Fly
Category=ATF
Category=JBCT
Chen Kaige
China Film Group
Chinese Film History
Chinese Films
cinematic modernisation
contemporary Chinese society
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Feng Xiaogang
film industry transformation
film market reform analysis
High Box Office Revenues
History
Image Production
International Film Festival
Internet Age
Ip Man
Jia Zhangke
Jiao Yulu
Lu Xun
Main Melody Films
Mainland Films
media commercialisation
Mei Lanfang
post-Mao cultural change
Red Sorghum
Shanghai Film Studio
Tianyun Mountain
visual culture studies
Wang Xiaoshuai
Wu Gang
Xie Fei
Young Man
Zhang Yimou

Product details

  • ISBN 9781032123035
  • Weight: 739g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Reform and Opening-up of China since the late 1970s has not only transformed the economic and political situation of the country but also transformed the Chinese film industry. This volume focuses on the 40 years of the history of Chinese film in the post-Mao era.

As all aspects of film production, distribution, and exhibition have been commercialized, Chinese film has become an industry of immense scale and has grown by leaps and bounds. Meanwhile, contemporary Chinese film is marked by a new zeitgeist, with Chinese film closely integrated with Chinese society and the economy. The author argues that the Chinese film industry clearly stands at a turning point where the future of Chinese film and the way to further awaken, change, and shape film production have become important issues worth consideration in contemporary film history.

The book will be an essential reading for scholars and students in film studies, Chinese studies, cultural studies and media studies, helping readers to develop a comprehensive understanding of Chinese film.

Ding Yaping is the Director of the Film and Television Research Institute of the Chinese National Academy of Arts. He specializes in the history of Chinese film and has published more than 20 monographs.
Jin Haina is professor of translation, film and communication studies at the Communication University of China. Her research interests include film translation, translation history, and film history.

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