Genre Fiction of New India

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A01=E. Dawson Varughese
Amish Tripathi
Anil Menon
Author_E. Dawson Varughese
Bali and The Ocean of Milk
Bharati Fantasy
Breaking the Bow
Category=DS
Category=DSBH5
Category=DSK
Category=FL
Category=FM
Commercial Fiction
Contemporary
Contemporary Fiction
contemporary Indian speculative fiction
cultural identity studies
Dark Lord
Dharmic Traditions
Emma Dawson Varughese
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eq_biography-true-stories
eq_fantasy
eq_fiction
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science-fiction
Fantasy
Generation 14
Genre Term
HarperCollins India
Hindu myth reinterpretation
Hindu Nationalist Identity
Historical Fiction
IIM Ahmedabad
Immersive Fantasy
Indian English literature
Indian Fiction
Indian Publisher
Indian Publishing
Lord Brahma
Lord Shiva
Lord Vishnu
Missing Queen
Modern Day Sensibilities
Mount Kailash
non-Indian Readerships
Past Tense
Penguin Random House
postcolonial literary analysis
Postcolonial Literature
Priya Sarukai Chabria
reader response theory
Samudra Manthan
science and religion interface
Science Fiction
Standardized Open Ended Interviews
Suchitra Mathur
Tamil Nadu
The Krishna Key
The Missing Queen
The Shiva Trilogy
The Virtuals
Turbulence
Weird Fiction
Weird Tales
Western Academy
World Literature

Product details

  • ISBN 9780367868567
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book investigates fiction in English, written within, and published from India since 2000 in the genre of mythology-inspired fiction in doing so it introduces the term ‘Bharati Fantasy’. This volume is anchored in notions of the ‘weird’ and thus some time is spent understanding this term linguistically, historically (‘wyrd’) as well as philosophically and most significantly socio-culturally because ‘reception’ is a key theme to this book’s thesis. The book studies the interface of science, Hinduism and itihasa (a term often translated as ‘history’) within mythology-inspired fiction in English from India and these are specifically examined through the lens of two overarching interests: reader reception and the genre of weird fiction. The book considers Indian and non-Indian receptions to the body of mythology-inspired fiction, highlighting how English fiction from India has moved away from being identified as the traditional Indian postcolonial text. Furthermore, the book reveals broader findings in relation to identity and Indianness and India’s post-millennial society’s interest in portraying and projecting ideas of India through its ancient cultures, epic narratives and cultural (Hindu) figures.

E. Dawson Varughese is an independent global cultural studies scholar and the author of Beyond the Postcolonial: World Englishes Literature (2012) and Reading New India (2013). She has published in Contemporary South Asia, South Asian Popular Culture and English Today.

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