Genres Without Borders: the Circulation of Iranian Literary Forms

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A01=Marie Ostby
Antiwar poetry
Author_Marie Ostby
Category=DSM
Censorship
Colonialism
Cosmopolitanism
Cross-cultural exchange
Cultural borders
Diaspora
Digital protest
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eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Exile
Feminism
Form and content
forthcoming
Freedom
Gender
Genre evolution
Ghazal
Gord Afarid
Graphic novel
Hybrid forms
Iran-Iraq War
Iranian diaspora
Iranian studies
Islamic Republic
Life
literary criticism
Literary protest
Memory
MIddle East studies
Mobility
Modern Iranian literature
Modernism
Nomadism
Occidentalism
Orientalism
Palimpsest
Persepolis
Persian language
Persian miniatures
Persianate
Plasticity
Political isolation
Postcolonialism
Queerness
Representation
Satrapi
Shahnameh
Social media
Techno-lyric
Translation
Transnationalism
Transregional networks
Travelogue
Women
women's and gender studies
World literature

Product details

  • ISBN 9780815612186
  • Dimensions: 152 x 229mm
  • Publication Date: 16 Sep 2026
  • Publisher: Syracuse University Press
  • Publication City/Country: US
  • Product Form: Hardback
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Literary cultures are inherently mobile, at times transgressing and disregarding, and at others reconstituting, cultural and national boundaries. Genres and literary forms, too, are vehicles for the mobility of ideas that strike chords in cultures and locales far from their origins. In Genres Without Borders, Marie Ostby examines twentieth-century Iranian literature and the hybrid genres and innovative constructions it has taken to reveal how these tensile modes move and shift across transnational space to European and American contexts.

Ostby argues that, despite censorship and political isolation, Iranian literature has thrived across borders through strategic transformations in genre and form that emerged in response to these very constraints. Drawing on Persian miniature painting, travelogues, political cartoons, and social media, alongside more traditional literary forms, such as ghazal poetry, she traces their cross-border circulation that makes Persianate culture legible to Euro-American readers while maintaining a distinctive voice. Iranian writers don’t simply adapt to Western expectations but actively reshape how global readers understand literary possibility. In this way, the crossing of cultural boundaries is both mirrored and embodied in the crossing of genre boundaries, connecting these writers to a world literary culture despite accelerating political attempts to isolate them.

Marie Ostby is an assistant professor of English and global Islamic studies at Connecticut College. She is author of numerous book chapters and articles in New Literary History, PMLA, and Iranian Studies.

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