George Gershwin
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€62.99
A01=William G. Hyland
Author_William G. Hyland
Category=AVLA
Category=AVN
Category=DNBF
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eq_bestseller
eq_biography-true-stories
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eq_music
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Popular Culture: Music and Performing Arts
Product details
- ISBN 9780275981112
- Weight: 624g
- Dimensions: 156 x 235mm
- Publication Date: 30 Aug 2003
- Publisher: Bloomsbury Publishing Plc
- Publication City/Country: US
- Product Form: Hardback
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Hyland reveals both the man and his creations, revealing how Gershwin became the first composer to apply popular music to classical forms, how his work reflected the turmoil of America in the Jazz Age, and how, despite his fame, he never achieved the happiness and contentment a genius of his stature deserved. This is a fascinating new biography that no Gershwin fan—and no music fan—should be without.
George Gershwin pioneered the crossover from Broadway musicals to concert audiences, culminating in what is arguably America's greatest opera, Porgy and Bess. In William G. Hyland's new biography, Gershwin's personality and music are reexamined. Hyland illustrates how the composer's craftsmanship was criticized and his music was relegated to the status of lowbrow for decades, until the relatively recent appreciation of his achievements.
Yet for all of his artistic brilliance, Gershwin was vulnerable and discontented in his personal life. Hyland reveals both the man and his creations, revealing how Gershwin became the first composer to apply popular music to classical forms, how his work reflected the turmoil of America in the Jazz Age, and how, despite his fame, he never achieved the happiness and contentment a genius of his stature deserved. This is a fascinating new biography that no Gershwin fan—and no music fan—should be without.
WILLIAM G. HYLAND served a long career with the United States Government—at the White House, the State Department, and the NSC—and for ten years was the editor of Foreign Affairs Quarterly. He is the author of many works on international politics, as well as The Song Is Ended: Songwriters and American Music, 1900-1950 and Richard Rodgers.
