German and Song 1740 - 1900

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A01=John Smeed
Author_John Smeed
Category=DSBD
Category=DSBF
composer-poet collaboration
culture scene
Der Zwerg
development of German song
Eighteenth Century Song
emphasis on genre
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eq_biography-true-stories
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eq_nobargain
eq_non-fiction
Folk Melody
folk music influence
Folk Poems
Folk Poetry
Folksong Texts
German composers
German poetry
German song
Hausmusik studies
Heine's Verses
Heine’s Verses
Hoffmann Von Fallersleben
Im Volkston
interpretation of poetic texts in music
Key Words
Lied tradition
masterpieces and forgotten composers
Moral Weeklies
native folk tradition
Nineteenth Century Composers
Nineteenth Century Song
nineteenth-century musicology
relationship between German poets composers and their native folk tradition
Romantic poetry analysis
Schwager Kronos
Solo Cantatas
Songlike
Soprano Clef
Superb
Viennese
Vocal Line
Vocal Melody
Wandrers Nachtlied
Wo
Young Men

Product details

  • ISBN 9780367857028
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Originally published in 1987, this volume charts the development of German song across a century and a half, relating it both to poetry and to the cultural scene in Germany. By emphasising genre rather than individual composers and while paying heed to acknowledged masterpieces – by quoting extensively from forgotten composers, the book avoids historical over simplification and arrives at a fuller picture of this rich tradition. In so doing, it uncovers much neglected material. The book investigates the relationship between German poets and composers and their native folk tradition. It further explores the interaction between convention and innovation and demonstrates how one poem can be interpreted quite differently by different composers. The book is accessible both to students of literature and music.

J. W. Smeed was Reader in German at the University of Durham, U.K.

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