German-Jewish Popular Culture before the Holocaust

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A01=David A. Brenner
assimilation critique
Author_David A. Brenner
Baal Shem Tov
Category=AFKP
Category=DSBH
Category=GLZ
Category=GTM
Category=JBCC
Category=JBSR
Category=NHD
Category=WTHM
Central European Jewry
cultural
East European Jewish Culture
East European Jewish History
East European Jewry
East European Jews
Eastern Jew
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
eq_travel
ethnic hybridity
familienblatt
Follow
Georg Bendemann
German Cultural Sphere
German Jewish Dialogue
German Jewish Symbiosis
Girl Years
hasidic
Hasidic Tale
Installment Novel
israelitisches
Israelitisches Familienblatt
Mendele Moykher Sforim
minority identity formation
ost
Ost Und West
Postwar
pre-Holocaust Jewish popular culture
Sholem Aleichem
sphere
theater
und
Weimar Republic culture
west
West Germany
Western Jews
Wo
yiddish
Yiddish Performance
Yiddish Theater
Yiddish theatre studies
Young Men

Product details

  • ISBN 9781138780088
  • Weight: 240g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Mar 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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David A. Brenner examines how Jews in Central Europe developed one of the first "ethnic" or "minority" cultures in modernity. Not exclusively "German" or "Jewish," the experiences of German-speaking Jewry in the decades prior to the Third Reich and the Holocaust were also negotiated in encounters with popular culture, particularly the novel, the drama and mass media.

Despite recent scholarship, the misconception persists that Jewish Germans were bent on assimilation. Although subject to compulsion, they did not become solely "German," much less "European." Yet their behavior and values were by no means exclusively "Jewish," as the Nazis or other anti-Semites would have it. Rather, the German Jews achieved a peculiar synthesis between 1890 and 1933, developing a culture that was not only "middle-class" but also "ethnic." In particular, they reinvented Judaic traditions by way of a hybridized culture.

Based on research in German, Israeli and American archives, German-Jewish Popular Culture before the Holocaust addresses many of the genres in which a specifically German-Jewish identity was performed, from the Yiddish theatre and Zionist humour all the way to sensationalist memoirs and Kafka’s own kitsch. This middle-class ethnic identity encompassed and went beyond religious confession and identity politics. In focusing principally on German-Jewish popular culture, this groundbreaking book introduces the beginnings of "ethnicity" as we know it and live it today.

David A. Brenner is Director of the Houston Teachers Institute and Visiting Assistant Professor of Comparative Literature at the University of Houston.

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