German Literature and the First World War: The Anti-War Tradition

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A01=Brian Murdoch
adrienne
Animal Kingdom
anti-militarism discourse
Anti-war Novels
Author_Brian Murdoch
Category=DSM
Category=N
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Category=NHW
Colonel Chabert
cultural memory studies
Curtain Lectures
Curtain Pole
Danse Macabre
Dead Men
der
Der Weg
Die Katrin Wird Soldat
eq_bestseller
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erich
evadne
front
German anti-war literary tradition analysis
German modernism
German War Novels
historical fiction analysis
Leonhard Frank
maria
Martin Guerre
National Library
Real Martin Guerre
remarque
Remarque's Book
Remarque's Work
Remarque’s Book
Remarque’s Work
Sergeant Grischa
Theodor Plievier
thomas
Und Er
Vier Von Der Infanterie
Von Berlichingen
war trauma narratives
weg
Weimar Republic literature
West Germany
western
Western Front
World War
Young Man

Product details

  • ISBN 9781138307070
  • Weight: 590g
  • Dimensions: 156 x 234mm
  • Publication Date: 16 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The period immediately following the end of the First World War witnessed an outpouring of artistic and literary creativity, as those that had lived through the war years sought to communicate their experiences and opinions. In Germany this manifested itself broadly into two camps, one condemning the war outright; the other condemning the defeat. Of the former, Erich Maria Remarque’s All Quiet on the Western Front remains the archetypal example of an anti-war novel, and one that has become synonymous with the Great War. Yet the tremendous and enduring popularity of Remarque’s work has to some extent eclipsed a plethora of other German anti-war writers, such as Hans Chlumberg, Ernst Johannsen and Adrienne Thomas. In order to provide a more rounded view of German anti-war literature, this volume offers a selection of essays published by Brian Murdoch over the past twenty years. Beginning with a newly written introduction, providing the context for the volume and surveying recent developments in the subject, the essays that follow range broadly over the German anti-war literary tradition, telling us much about the shifting and contested nature of the war. The volume also touches upon subjects such as responsibility, victimhood, the problem of historical hiatus in the production and reception of novels, drama, poetry, film and other literature written during the war, in the Weimar Republic, and in the Third Reich. The collection also underlines the potential dangers of using novels as historical sources even when they look like diaries. One essay was previously unpublished, two have been augmented, and three are translated into English for the first time. Taken together they offer a fascinating insight into the cultural memory and literary legacy of the First World War and German anti-war texts.
Brian Murdoch is Professor Emeritus of German at Stirling University in Scotland, and has held visiting fellowships or lectureships at Oxford and at Cambridge. He has published extensively on medieval and renaissance literature, especially biblical writings. In the modern field he has focussed on the literature of the world wars (on Erich Maria Remarque in particular), and has translated novels by Remarque, by Walter Flex and by modern German writers, as well as medieval works in German and Latin.

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