German Mittelweg

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A01=Michael G. Lee
Aesthetic Letters
Aesthetical Ideas
Allgemeine Literatur Zeitung
Analytic Synthetic Method
Architectonic System
Author_Michael G. Lee
Category=QDH
critical philosophy influence
De Ligne
Determinant Judgment
Discursive Understanding
dogmatism
Dresden Academy
eighteenth-century German thought
Einer Reihe Von Briefen
English Garden
Enlightenment aesthetics
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
French formalism
Garden
Garden Art
Garden Elements
German Garden
German garden tradition
Kant's critical philosophy
Kant's Philosophy
Kantian garden theory analysis
Kritik Der Urteilskraft
landscape semiotics
Leipzig University
Natural Beauty
Natural Purposes
Natural Signs
philosophical mediation
Sense Manifold
skepticism
Spinoza's Philosophy
Spinoza's System
Theorie Der Gartenkunst
topographical metaphors

Product details

  • ISBN 9780415976749
  • Weight: 800g
  • Dimensions: 152 x 229mm
  • Publication Date: 19 Mar 2007
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In the 1790s, a close-knit group of German philosophers published several garden theory texts. These works are unique in that a close-knit group of philosophers had never before--and has not since--produced so many works on the topic of garden design. In essence, this cohort sought to imbue the most visionary concepts that had been inherited from the German garden tradition with the intellectual resources that were newly available through Kant’s critical philosophy. The most important of these concepts was the prescription for a new Mittelweg, or "middle path," garden that would mediate between the perceived excesses of French formalism and the English picturesque. In close analysis, the author demonstrates that Kant used similar "middle path" techniques in the design of his own "critical path" between dogmatism and skepticism. This similarity is most apparent when he uses topographical metaphors to describe the organizational principles of his system.

By interpreting Kant’s topographical metaphors in relation to contemporary garden theories, this book offers new insights into the structural similarities between his "critical path" and the German garden’s "middle path" between French formalism and the English picturesque.

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