German Secular Song-books of the Mid-seventeenth Century: An Examination of the Texts in Collections of Songs Published in the German-language Area Between 1624 and 1660

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A01=Anthony J. Harper
Age Group_Uncategorized
Age Group_Uncategorized
Als Er
Anna Songs
Anthony J. Happer
Author_Anthony J. Harper
automatic-update
Bald Zu
Baroque poetry
Bin Ich
Category1=Non-Fiction
Category=AVGC3
Category=AVLA
Category=DSC
Category=JB
Congratulatory Poem
COP=United Kingdom
Dactylic Rhythm
Daniel Heinsius
Delivery_Pre-order
Drinking Songs
early modern German literature
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Fleming's Poetry
Fleming's Songs
German
German Secular Song Books
German secular song collections research
Home Town
Language_English
Leipzig Poets
Locus Amoenus
lyric analysis
Mein Leben
Multipart Song
Occasional Poetry
PA=Temporarily unavailable
Philipp Von Zesen
poetic forms study
Price_€100 and above
PS=Active
regional literary traditions
Sapphic Ode
Secular
Secular Song
Secular Song Books
seventeenth-century cultural history
softlaunch
Song
Strophic Songs
Wedding Song
Weil Er
Young Man

Product details

  • ISBN 9781138726086
  • Weight: 810g
  • Dimensions: 156 x 234mm
  • Publication Date: 18 Dec 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This title was first published in 2003. The secular song of the 17th century represents a relatively neglected area of German culture. In this book, Anthony J. Harper first studies the songs of the two great models of the time, Martin Opitz and Paul Fleming, following this with an analysis of the song-books and collections from three regions: the North-East, Central Germany, and the North. The procedure is thus both historical and geographical. The texts of these songs are examined in relation to structural principles, thematic range and stylistic treatment. Harper establishes common features and regional variations of this genre, which involves love-poetry, songs of manners with colourful portrayals of everyday life, and comic songs in a lower stylistic register. Particular attention is paid to the work of Albert and Dach in Konigsberg, Finckelthaus, Schirmer, Krieger and Schoch in Leipzig and Dresden, and Rist, Voigtlander, Zesen, Greflinger and Stieler in the Hamburg region. Where appropriate, the book assesses the role of musical settings, while not seeking to offer technical insights into musical matters. Of value to scholars of German literature, this study should also be of interest to musicologists working on the Renaissance and Baroque periods.

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