Giovanni Gabrieli and His Contemporaries

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A01=Richard Charteris
Adam Gumpelzhaimer
Age Group_Uncategorized
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Alfonso Ferrabosco
Andrea Gabrieli
Author_Richard Charteris
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Bass Viol
Biblioteca Nazionale Universitaria
Biblioteka Jagiellonska
Biblioteka Uniwersytecka
Cantate Domino Canticum Novum
Category1=Non-Fiction
Category=AVGC2
Category=AVGC3
Category=AVLA
Christ Church Library
Composite Leaf
COP=United Kingdom
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early modern composers
eq_art-fashion-photography
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eq_music
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European music collections
Gabrieli Work
German Organ Tablature
Giovanni Gabrieli
historical performance practice
John Coprario
Jubilate Deo
Language_English
music manuscript analysis
PA=Available
polyphonic works research
Preussischer Kulturbesitz
Price_€100 and above
Primus Chorus
PS=Active
Renaissance musicology
Sacrae Symphoniae
Sacred Vocal Music
sacred vocal repertoire
Sacred Vocal Works
Secunda Pars
softlaunch
Staatsbibliothek Zu Berlin
Surrexit Christus
Tenor Partbook
Vocal Soloist

Product details

  • ISBN 9781409403692
  • Weight: 774g
  • Dimensions: 152 x 229mm
  • Publication Date: 28 Feb 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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For more than three decades Richard Charteris has researched European music, sources and collections, focusing particularly on late Renaissance England, Germany and Italy. This group of essays, many concerning previously unknown or unexplored works and materials, covers the 16th and early to mid 17th centuries. The studies involve variously 'new' compositions, music manuscripts and editions, and documents that relate to figures such as the Italians Giovanni Gabrieli, Claudio Monteverdi and Alfonso Ferrabosco the Elder, the Germans Hans Leo Hassler and Adam Gumpelzhaimer, as well as the Englishmen John Coprario, John Dowland, John Jenkins, Henry Lawes, William Lawes, Peter Philips, and the French composer Marin Marais. In addition, Charteris elucidates contemporary performance practice in relation to works by Gabrieli, investigates printed music editions that originated from the Church of St Anna, Augsburg, and evaluates materials in collections, inlcuding ones in Berlin, Hamburg, Kraków, London, Regensburg and Warsaw.
Richard Charteris is Professor in Historical Musicology at the University of Sydney, Australia

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