Girl Culture in the Middle Ages and Renaissance

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A01=Deanne Williams
actors
Anne Boleyn
As You Like It
Author_Deanne Williams
authors
Bisham Entertainment
Category=ATC
Category=ATY
Category=DSG
Category=NHDJ
Category=NHDL
Category=NHTB
Civil War England
Cleopatra
early modern
Elizabeth Cary
Elizabethan household performances
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
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eq_isMigrated=2
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eq_non-fiction
Erasmus
Euripides's Iphigeneia
Euripides’s Iphigeneia
European courts
Gandersheim Abbey
Hamlet
Hrotswitha of Gandersheim
John Fletcher
John Milton
Lady Falkland
Lady Jane Lumley
liturgical drama
masquers
medieval
musicians
playwrights
Queen Anne
Richard III
royal entries
Shakespeare's Pericles
Shakespeare’s Pericles
singers
Stuart court masques
tenth-century Germany
The Faithful Shepherdess
The Tempest
translators
Tudor civic pageants
Virgin Mary

Product details

  • ISBN 9781350343207
  • Weight: 660g
  • Dimensions: 154 x 236mm
  • Publication Date: 29 Jun 2023
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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Deanne Williams offers the very first study of the medieval and early modern girl actor. Whereas previous histories of the actress begin with the Restoration, this book demonstrates that the girl is actually a well-documented category of performer and a key participant in the drama of the Middle Ages and Renaissance. It explores evidence of the girl actor in archival records of payment, eyewitness accounts, stage directions, paintings, and in the plays and masques that were explicitly composed for girls, and, in some cases, by them.

Contradicting previous scholarly assumptions about the early modern stage as male-dominated, this evidence reveals girls’ participation in medieval religious drama, Tudor civic pageants and royal entries, Elizabethan country house entertainments, and Stuart court and household masques. This book situates its historical study of the girl actor within the wider contexts of 'girl culture', including girls as singers, translators and authors. By examining the impact of the girl actor on constructions of girlhood in the work of Shakespeare – whose girl characters register and evoke the power of the performing girl – Girl Culture in the Middle Ages and Renaissance argues that girls’ dramatic, musical and literary performances actively shaped medieval and early modern culture.

It shows how the active presence and participation of girls shaped medieval and Renaissance culture, and it reveals how some of its best-known literary and dramatic texts address, represent, and reflect upon girl children, not as an imagined ideal, but as a lived reality.

Deanne Williams is Professor of English and Theatre Studies at York University, Canada. She is the author of The French Fetish from Chaucer to Shakespeare (2004), which won the Roland Bainton Prize from the Sixteenth Century Society, and Shakespeare and the Performance of Girlhood (2014).

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