Glitch Art in Theory and Practice

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A01=Michael Betancourt
audiovisual experimentation
Author_Michael Betancourt
Avant Garde Fi Lm
Category=AF
Category=AFKV
Category=AGA
Category=ATF
Category=ATFA
Category=ATJ
Category=JBCT
Critical Meaning
critical media failure analysis
Digital Capitalism
Digital Glitch
digital materialism
DVD Release
Electronic Visualization
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Eve
Flicker Film
Glitch Art
Glitch Artists
glitch theory
Glitch Video
Guerrilla Television
Holy Men
Human Readable Form
Inherently Critical
Material Markers
media archaeology
media theory research
NTSC
Optical Soundtrack
post-internet aesthetics
Prisoner's Cinema
Prisoner’s Cinema
Survival Research Labs
Technical Failures
technological disruption studies
Title Card
Video Art
visual art
Visual Glitches
Visual Music

Product details

  • ISBN 9780367884246
  • Weight: 200g
  • Dimensions: 138 x 216mm
  • Publication Date: 10 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Glitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics explores the concept of "glitch" alongside contemporary digital political economy to develop a general theory of critical media using glitch as a case study and model, focusing specifically on examples of digital art and aesthetics. While prior literature on glitch practice in visual arts has been divided between historical discussions and social-political analyses, this work provides a rigorous, contemporary theoretical foundation and framework.

Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage: Windowing, or, the Cinematic Displacement of Time, Motion, and Space, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as CTheory, Semiotica, and Leonardo.

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