Global Ambiguity in Nineteenth-Century American Gothic

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19th-century American Literature
A01=Wanlin Li
Alcott's Story
Alcott’s Story
ambiguity in gothic fiction analysis
American gothic
American Gothic Literature
American literary history
American literature
Author_Wanlin Li
Benito Cereno
British Gothic
Canonical works
Category=DSBF
Charles Brockden Brown
Contemporary Society
Cultural Justification
cultural narratology
Domestic Fiction
Edgar Huntly
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
European Gothic
gender and race politics
Global ambiguity
Gothic Aesthetics
Gothic Aesthetics and Politics
Gothic Form
Gothic literature
Gothic Materials
Gothic Reader
Henry James
literary interpretation theory
Lover's Return
Lover’s Return
Medical Advertiser
Melville's Critique
Melville’s Critique
narrative ambiguity
Narrative Theory
nineteenth-century literature
Piazza Tales
Psychological Readings
Rhetorical Sublime
Vice Versa
Yellow Fever
Young Goodman Brown

Product details

  • ISBN 9780367539023
  • Weight: 260g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Sep 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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As part of a larger attempt to understand the dynamic interactions between gothic form and ideology, this volume focuses on a strong formal feature of the American gothic, "global ambiguity," and examines the important cultural work it performs in the nineteenth-century history of the genre.

The author defines "global ambiguity" as occurring in texts whose internal evidence supports equally plausible and yet mutually exclusive interpretations. Combining insights from narrative theory and cultural studies, she investigates the narrative origin of global ambiguity and the ways in which it produces culturally meaningful readings. Canonical works and obscure ones from American gothic authors such as Charles Brockden Brown, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Louisa May Alcott, and Henry James are reexamined. This study reveals that the nineteenth-century American gothicists developed the gothic into an aesthetically sophisticated mode that engaged intensely with the pressing problems of American society, including moral citizenship, slavery, and the social status of women, and reimagined social realities in politically constructive manners.

Literary scholars, students, and general readers interested in gothic literature, American literature, or narrative theory will find this book informative and inspiring.

Wanlin Li is an assistant professor in the Department of English at Peking University. Her teaching and research interests include gothic literature, nineteenth-century American literature, and narrative theory. Her publications have appeared or are forthcoming in Narrative,Style, Journal of Narrative Theory, and many leading journals of literary studies in China, including Foreign Literature Review, Foreign Literature, and Foreign Literatures.

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