Global Chinese Cinema

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Animal Logic
arts
Broken Sword
Category=ATF
Category=GTM
Category=JBCC1
Category=JBCT
Category=NH
Chinese blockbuster global impact
Chinese Blockbusters
Chinese Cinema
Chinese Femininity
Chinese film studies
Chinese Government
Chinese Martial Arts Film
crouching
Crouching Tiger
cultural identity China
EDKO Film
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Flying Snow
gender roles in film
Global Blockbuster
Global Chinese Cinema
HKIFF
jet
martial
Martial Arts
Martial Arts Film
Martial Arts Genre
political narrative cinema
Qin Shihuang
Ruan Lingyu
Tian Xia
tiger
transnational stardom
Women Warriors
wuxia genre analysis
Wuxia Pian
xiaowen
yimou
zhang
Zhang Yimou
Zhang Yimou's Hero
Zhang Yimou’s Hero
Zhang Ziyi
zhou
Zhou Xiaowen
ziyi

Product details

  • ISBN 9780415697095
  • Weight: 470g
  • Dimensions: 156 x 234mm
  • Publication Date: 17 Aug 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The film Hero, directed by Zhang Yimou and released in 2002, is widely regarded as the first globally successful indigenous Chinese blockbuster. A big expensive film with multiple stars, spectacular scenery, and astonishing action sequences, it touched on key questions of Chinese culture, nation and politics, and was both a domestic sensation and an international hit. This book explores the reasons for the film’s popularity with its audiences, discussing the factors which so resonated with those who watched the film. It examines questions such as Chinese national unity, the search for cultural identity and role models from China’s illustrious pre-communist past, and the portrayal of political and aesthetic values, and attitudes to gender, sex, love, and violence which are relatively new to China. The book demonstrates how the film, and China’s growing film industry more generally, have in fact very strong international connections, with Western as well as Chinese financing, stars recruited from the East Asian region more widely, and extensive interactions between Hollywood and Asian artists and technicians. Overall, the book provides fascinating insights into recent developments in Chinese society, popular culture and cultural production.

Gary D. Rawnsley is currently Professor of Asian International Communications at the Institute of Communications Studies, University of Leeds, UK. Ming-Yeh T. Rawnsley is Research Fellow at the Institute of Communications Studies, University of Leeds, UK. Their most recent jointly edited publications include Political Communications in Greater China: The Construction and Reflection of Identity (also published by Routledge) and Critical Security, Democratisation and Television in Taiwan.