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Global Film Color
Global Film Color
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€132.99
Regular price
€147.99
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Sale price
€132.99
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A32=Heather Heckman
A32=Kamalika Sanyal
A32=Kathryn Millard
A32=Kirsty Sinclair Dootson
A32=Laura Major
A32=Philip Cavendish
A32=Ranjani Mazumdar
A32=Stefan Soloman
Age Group_Uncategorized
Age Group_Uncategorized
Agfacolor
automatic-update
B01=Joshua Yumibe
B01=Sarah Street
Category1=Non-Fiction
Category=APFA
Category=APFX
Category=ATFA
Category=ATFX
Category=JBCT
Category=JFD
cinema
cinema studies
cinematography
color
color-grading
COP=United States
Delivery_Delivery within 10-20 working days
Eastmancolor
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film
film studies
foreign film
Fujicolor
global film
Language_English
media
media studies
movies
PA=Available
Price_€100 and above
PS=Active
softlaunch
Product details
- ISBN 9781978836815
- Weight: 463g
- Dimensions: 156 x 235mm
- Publication Date: 17 May 2024
- Publisher: Rutgers University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Global Film Color: The Monopack Revolution at Midcentury explores color filmmaking in a variety of countries and regions including India, China, Japan, and Russia, and across Europe and Africa. Most previous accounts of color film have concentrated on early 20th century color processes and Technicolor. Far less is known about the introduction and application of color technologies in the period from the mid-1940s to the 1980s, when photochemical, “monopack” color stocks came to dominate global film markets. As Eastmancolor, Agfacolor, Fujicolor and other film stocks became broadly available and affordable, national film industries increasingly converted to color, transforming the look and feel of global cinema. Covering a broad range of perspectives, the chapters explore themes such as transnational flows, knowledge exchange and transfer, the cyclical and asymmetrical circulation of technology in a global context, as well as the accompanying transformation of color film aesthetics in the postwar decades.
SARAH STREET is a professor of film and Foundation Chair of Drama at the University of Bristol in the UK. She has written and co-edited several books, including Colour Films in Britain: The Negotiation of Innovation, 1900-1955 and Chromatic Modernity: Color, Cinema, and Media of the 1920s, co-authored with Joshua Yumibe.
JOSHUA YUMIBE is a professor of film studies and English at Michigan State University. He has written, edited, and co-edited several books, including Moving Color: Early Film, Mass Culture, Modernism (Rutgers University Press, 2012) and Fantasia of Color in Early Cinema, w co-authored with Giovanna Fossati, Tom Gunning, and Jonathon Rosen.
JOSHUA YUMIBE is a professor of film studies and English at Michigan State University. He has written, edited, and co-edited several books, including Moving Color: Early Film, Mass Culture, Modernism (Rutgers University Press, 2012) and Fantasia of Color in Early Cinema, w co-authored with Giovanna Fossati, Tom Gunning, and Jonathon Rosen.
Global Film Color
€132.99
