Global Finance on Screen

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A01=Constantin Parvulescu
Araceli Rodriguez Mateos
Author_Constantin Parvulescu
Bank Ceo
Big Short
Boiler Room
Category=ATFN
Category=JBC
Category=KCP
cinematic representation of capitalism
Company's Ceo
Company’s Ceo
Conjunctural Analysis
Daniel Marcus
Deregulation Era
documentary analysis finance
Dominant Finance
economic anthropology
Elena Oliete-Aldea
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethics in financial culture
Federal Reserve
Federal Reserve System
film analysis of global economic crises
Finance Film
financialisation studies
Gordon Gekko
Graham Murdock
Hot Chicks
Ignacio Ferrero
Inside Job
Jens Maesse
Karen Ho
Main Character
Margin Call
Marta Rocchi
Michael Chanan
neoliberal ideology critique
oliver
Oliver Stone's Wall Street
Oliver Stone’s Wall Street
Online MBA Program
Pablo Castrillo
Pablo Echart
Representational Economies
Robert Burgoyne
Robert E. McNulty
Scott Loren
Stock Ticker
Stone's Wall Street Films
stones
Stone’s Wall Street Films
Stratton Oakmont
Trading Floor
Wall Street
Wall Street Films
Young Man

Product details

  • ISBN 9781138045286
  • Weight: 380g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 Dec 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Global Finance on Screen is the first collection exclusively dedicated to a growing body of multi-format and multimedia audiovisual work that this book designates as the finance film. Finance film provides critical visualizations of the secretive, elitist, PR firewalled, and gender and race-biased world of finance, and its mysterious characters, jargon and products. It reconstructs for the screen and for broader audiences finance’s logics, responsibilities, practices, and ethos, and traces the effects of money, markets, investment, credit, debt, bubbles, and crashes on our well-being, desires, values, and actions.

The chapters for this interdisciplinary collection are written by European and North American scholars in film studies, anthropology, business ethics, cultural studies, political economy, and sociology. They reveal and evaluate the ability of film to document financial cultures; reflect economic, cultural and political transformations related to financialization; indicate the alienating and exploitative consequences of the growing role played by financial services in the global economy; mobilize social action against finance’s excesses; as well as spread finance and capitalist mythology. The collection offers in-depth investigations of feature films such as Wall Street, Freefall, Margin Call, Justice&Co, The Wolf of Wall Street, and The Big Short, and documentaries such as Inside Job, Capitalism: A Love Story and In a Strange Land.

Constantin Parvulescu is research fellow at the Institute for Culture and Society, University of Navarra, Spain and guest lecturer at the University of St Gallen, Switzerland. He is author of Orphans of the East: Postwar Eastern European Cinema and the Revolutionary Subject (2015) and the co-editor of A Companion to the Historical Film (2013).

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