Global Media Ecologies

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A01=Doris Baltruschat
AI
american
audience interactivity research
Author_Doris Baltruschat
broadcasting
canadian
Canadian Franchise
Canadian Idol
Category=JBCT
Category=NH
collaborative content creation
creative labor studies
cultural policy analysis
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fan-fi Ction
Fi Lm
Fl Exible Accumulation
format
Format Franchise
franchising
Global Media Ecologies
global media production networks
Global Production Technology
Hamburg Cell
idol
intellectual property rights
Interactive Media Users
Interactive Tv
Media Ecologies
media globalization
Mobile Tv
Networked Media Ecologies
public
Public Service Broadcasting
reality
Reality Tv
Reality Tv Format
Reality Tv Genre
Reality Tv Program
Semi-professional Performers
service
technology
Treaty Co-productions
Tv Format
Viable Public Sphere
Young Man

Product details

  • ISBN 9780415740494
  • Weight: 362g
  • Dimensions: 152 x 229mm
  • Publication Date: 08 Nov 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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In this study, Baltruschat calls attention to dramatic changes in worldwide media production. Her work provides new insights into industry re-organization, digital media, and audience interactivity as pivotal relationships are redrawn along the entire value chain of production, distribution, and consumption. Based on an international study, she details how cultural agents now negotiate a media landscape through collaborative ventures, co-productions and format franchising. These varied collaborations define the new global media economy and affect a shift across the entire field of cultural production.

Through detailing the intricacies of globally networked production ecologies, Baltruschat elucidates the shifting power relations in media production, especially in regards to creative labor and trade of intellectual properties. In the new global economy, "content" has become the "new currency." As a result, relational dynamics between cultural agents emerge as key forces in shaping worldwide cultural production, now increasingly characterized by flexible production and consumption.

The blurring of lines in international media developments require new parameters, which define creativity and intellectual property in relation to interactive audiences and collaboratively produced content. Baltruschat clearly maps and defines these new dynamics and provides solutions as to how creative labor constellations can advance and enrich the new media economy. This is especially pertinent as global film and TV production does not necessarily result in greater media diversity. On the contrary, interdependencies in policy regimes, prioritization of certain genres, and branded entertainment epitomize how current networked ecologies reflect broader trends in cultural and economic globalization.

Doris Baltruschat is a media and communications scholar with extensive experience in film and television production and distribution, and a former instructor at the School of Journalism and Communication at Carleton University.

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