Global Scriptwriting

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Act Iii
Agnieska Holland
Antonia's Line
arc
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Captain Miller
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character
Character Layer
Cider House Rules
cross-cultural storytelling
dramatic
Dramatic Arc
Eating Gilbert Grape
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Eyes Wide Shut
film
French Twist
Galaxy Quest
gangster
Gangster Film
Hay Ward
Hollywood Film
independent cinema studies
international screenwriting models
Kubrick's Full Metal Jacket
layer
main
Main Character
Main Character's Goal
media narrative techniques
metagenre exploration
MTV Style
narrative structure analysis
noir
Plot Layer
Police Story
screen
Screen Story
screenplay theory
story
Structure Journalism
Tragic Flaw
Tv Melodrama
Young Man

Product details

  • ISBN 9780240804286
  • Weight: 500g
  • Dimensions: 156 x 234mm
  • Publication Date: 11 Jun 2001
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Global Scriptwriting offers a look at an exciting new phase in screen storytelling, as writers and directors from all over the world infuse traditional forms with their own cultural values to create stories that have an international appeal and suggest a universality among readers, viewers, and listeners. A unique blend of screenwriting technique and film studies, Global Scriptwriting discusses screen stories as they have evolved through the years, focusing first on the basics of scriptwriting, then going on to afford a more sophisticated look at script via different models of scriptwriting: the Hollywood model, the independent model, the national model, and various alternative models. It examines the internationalization of storytelling, and illustrates how particular innovations have helped national screen stories to international success.


This book is the first to incorporate the basics of the classical form with the innovative edge of the last decade, as well the culture specific changes that have taken place outside of North America. It offers readers a view of the enriched repertoire available to writers resulting from the introduction of cultural perspectives into traditional story forms. Specific topics examined include, the ascent of voice, the search for new forms, the struggle between style and content, and the centrality of megagenre.

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University.

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