Globalisation, Commodification and Cultural Production in Africa

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A01=Kathrin Schmidt
African performing arts
African Union
arts management research
Author_Kathrin Schmidt
Category=ATD
Category=GTM
colonialism
creative industries Africa
cultural governance structures
cultural relations
ecology
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
global creative economy Africa
institutions
international organisations
organisations
performance
postcolonial cultural policy
theatre policy analysis

Product details

  • ISBN 9781032584423
  • Weight: 320g
  • Dimensions: 156 x 234mm
  • Publication Date: 06 May 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book engages with contemporary cultural production in Africa, focusing on theatre in Sierra Leone as main case study. The author provides coverage of, and insights into, such themes as cultural globalisation, commodification, the global creative economy, culture and development, international relations and contemporary cultural production in Sierra Leone within the context of local and global flows of people, media, images, technologies, finance and ideas.

Combining the analysis of theatre in Sierra Leone and its aesthetics with its policy, structural and institutional context, this book highlights in much detail and nuance the interconnectedness between the micro- and the macro-levels of cultural production, between the local and the global, and between aesthetics, politics, policy, governance structures and institutions. This book links the particular findings from the author’s fieldwork to larger issues of contemporary local cultural production within the context of globalisation, commodification and decolonisation; adds a postcolonial perspective to existing theories and approaches to cultural production, management and policy, which is still largely missing from the existing discourse; and also contributes to addressing the gap in the knowledge about the context of contemporary cultural productions in diverse African contexts.

This book will be particularly useful for both theatre scholars with an interest in the political economy of theatre and, more broadly, those seeking to understand the nuanced challenges and opportunities faced by policymakers, artists and arts managers to embrace the cultural and creative industries in this context. It also offers excellent insights for policymakers who wish to improve their understanding and interventions beyond superficial ‘best practice’ snippets and simplified ‘success stories’.

Kathrin Schmidt is a cultural and creative industries expert, with extensive experience working on strategy, policy, research and evaluation projects in the arts, heritage and creative sectors, focusing in recent years predominantly on Africa.

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