Globalization and Popular Music in South Korea

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A01=Michael Fuhr
Author_Michael Fuhr
Bubblegum Pop
Category=AVA
Category=AVL
Category=JBCC1
cultural identity politics
Dance Pop
East Asian media studies
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Ethnomusicology
ethnomusicology research
Gangnam Style
Global Imaginary
Globalization
High Export Rates
Idol Pop
Idol Stars
immigrant pop idols
Japanese Tv Drama
K-Pop
KOFICE
Korea
Korean Entertainment Companies
Korean Food Culture
Korean Language Skills
Korean Pop Culture
Korean Pop Music
Korean Popular Music
Korean Singers
Korean Traditional Music
Korean Tv Drama
Korean Wave
Korean Wave cultural transformation
Music
music industry globalization
Music Video
Pop Idols
Pop Star
Popular Music
PSY
Research
Seo Taiji
Signature Dance Moves
SM Entertainment
South Korea
transnational music flows
Tv Broadcasting Station
Tv Drama
West Germany
Young Men

Product details

  • ISBN 9781138840010
  • Weight: 498g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Jun 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book offers an in-depth study of the globalization of contemporary South Korean idol pop music, or K-Pop, visiting K-Pop and its multiple intersections with political, economic, and cultural formations and transformations. It provides detailed insights into the transformative process in and around the field of Korean pop music since the 1990s, which paved the way for the recent international rise of K-Pop and the Korean Wave. Fuhr examines the conditions and effects of transnational flows, asymmetrical power relations, and the role of the imaginary "other" in K-Pop production and consumption, relating them to the specific aesthetic dimensions and material conditions of K-Pop stars, songs, and videos. Further, the book reveals how K-Pop is deployed for strategies of national identity construction in connection with Korean cultural politics, with transnational music production circuits, and with the transnational mobility of immigrant pop idols. The volume argues that K-Pop is a highly productive cultural arena in which South Korea’s globalizing and nationalizing forces and imaginations coincide, intermingle, and counteract with each other and in which the tension between both of these poles is played out musically, visually, and discursively. This book examines a vibrant example of contemporary popular music from the non-Anglophone world and provides deeper insight into the structure of popular music and the dynamics of cultural globalization through a combined set of ethnographic, musicological, and cultural analysis. Widening the regional scope of Western-dominated popular music studies and enhancing new areas of ethnomusicology, anthropology, and cultural studies, this book will also be of interest to those studying East Asian popular culture, music globalization, and popular music.

Michael Fuhr is Assistant Professor at University of Hildesheim, Center for World Music - Ethnomusicology, Germany.

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