Globalization of Irish Traditional Song Performance
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A01=Susan H. Motherway
Anglo-Irish music traditions
association
athletics
Author_Susan H. Motherway
Category=AVLP
Category=AVLT
celtic
Celtic Music
Celtic Tenors
Clancy Brothers
Country Music
cultural identity negotiation
culture
diaspora
diaspora studies
English Language Song
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethnomusicology
gaelic
Gaelic Athletic Association
Gaelic League
globalisation impact on folk music
Indigenous Ethnic Minority Groups
IRA Hunger Striker
ireland
Irish Diaspora
Irish Language
Irish Language Song
Irish Music
Irish Song
Irish Traditional
Irish Traditional Music
Irish Traditional Song
Lambeg Drum
language
Macaronic Song
music
northern
performance practice analysis
subgenre evolution
Traditional Song
Traveller Community
Uilleann Pipes
Ulster Scots Agency
Ulster Scots Community
World Music Market
Product details
- ISBN 9781138261570
- Weight: 420g
- Dimensions: 156 x 234mm
- Publication Date: 15 Nov 2016
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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In The Globalization of Irish Traditional Song Performance Susan Motherway examines the ways in which performers mediate the divide between local and global markets by negotiating this dichotomy in performance practice. In so doing, she discusses the globalizing processes that exert transformative influences upon traditional musics and examines the response to these influences by Irish traditional song performers. In developing this thesis the book provides an overview of the genre and its subgenres, illustrates patterns of musical change extant within the tradition as a result of globalization, and acknowledges music as a medium for re-negotiating an Irish cultural identity within the global. Given Ireland’s long history of emigration and colonisation, globalization is recognised as both a synchronic and a diachronic phenomenon. Motherway thus examines Anglo-Irish song and songs of the Irish Diaspora. Her analysis reaches beyond essentialist definitions of the tradition to examine evolving sub-genres such as Country & Irish, Celtic and World Music. She also recognizes the singing traditions of other ethnic groups on the island of Ireland including Orange-Order, Ulster-Scots and Traveller song. In so doing, she shows the disparity between native conceptions and native realities in respect to Irish cultural Identity.
Susan Motherway is a lecturer in music at the Institute of Technology, Tralee. She studied ethnomusicology at the University of Limerick under Dr John Morgan O’Connell and was awarded a PhD in 2009 for her thesis ’Mediating the Divide: The Globalization of Irish Traditional Song Performance’. Susan received the title of ’Visiting Research Associate’ from Queens University Belfast (2005/2006). She has contributed many articles to the Continuum Encyclopaedia of Popular Music, The Companion to Irish Traditional Music, and The Encyclopaedia of Music in Ireland. Her papers are published in the Conference Proceedings of ICTM Music & Minorities Conference (2006) and ICTM Ireland’s publication Ancestral Imprints: Histories of Irish Traditional Music and Dance. Susan plays concertina, concert flute and piano. She has been a long-time performer with Siamsa Tire, The National Folk Theatre of Ireland.
