Globalizing Contemporary Art

Regular price €34.99
Regular price €83.99 Sale Sale price €34.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Lotte Philipsen
Age Group_Uncategorized
Age Group_Uncategorized
Art & Art History
Author_Lotte Philipsen
automatic-update
Category1=Non-Fiction
Category=ACXJ
Category=AGA
COP=Denmark
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€50 to €100
PS=Active
softlaunch

Product details

  • ISBN 9788779346079
  • Weight: 467g
  • Dimensions: 175 x 235mm
  • Publication Date: 10 Sep 2010
  • Publisher: Aarhus University Press
  • Publication City/Country: DK
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns
Today, contemporary art is a global phenomenon. Biennales, museums, art fairs, galleries, auction houses, academies and audiences for contemporary visual art are all institutions whose presence on a global scale has widened tremendously during the past two decades. Thus, by including contemporary art from non-Western regions, these traditional Western art institutions have not only broadened their scope to a greater extent, but have also been challenged themselves by the new cultural, economic and media world order of globalization. How contemporary art is made 'international' is the subject of this book, tracing as it does developments during the past two decades, while focusing particularly on the mecanisms of 'globality' which are at work in the art world today. The book critically investigates fundamental questions like: What is 'New Internationalism' in contemporary art, and how it affected the art world? How does New Internationalism relate to concepts like ethnicity, aesthetics, standard art history, and new media? And how is New Internationalism, rather paradoxically, furthered to a greater extent by global capitalism than it is by seemingly progressive art projects?

More from this author