Glossary for the End of Days – Stories

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A01=Ian Stansel
Author_Ian Stansel
Category=FBA
Category=FYB
eq_anthologies-novellas-short-stories
eq_bestseller
eq_fiction
eq_isMigrated=1
eq_isMigrated=2
eq_modern-contemporary
eq_nobargain

Product details

  • ISBN 9781946724342
  • Weight: 238g
  • Dimensions: 143 x 215mm
  • Publication Date: 12 Sep 2020
  • Publisher: Acre Books
  • Publication City/Country: US
  • Product Form: Paperback
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Following his acclaimed debut novel, The Last Cowboys of San Geronimo, the eleven stories of Ian Stansel’s Glossary for the End of Days explore today’s cultural and political climate with a disarming blend of speculation and realism. Whether faced with tragedy, approaching disaster, or an all-too-familiar uncertainty, Stansel’s protagonists—siblings, lovers, executives, drifters—reveal complex and often startling turns of mind, surprising themselves as well as the reader.

In Boulder, a man calls into a radio program with an altered tale of his brother’s murder—and faces the consequences when the story goes viral. In Tampa, a woman attends a convention of people believing themselves to be targets of clandestine government agencies. In Houston, a family with many secrets attempts to escape an oncoming tropical storm. In an East Coast college town, a professor has a charged run-in with a young woman from the radical right. And in Iowa, a cult suicide spurs the lone survivor to create a “glossary” in an effort to come to terms with his experience.

Simultaneously gritty and lyrical, grounded and visionary, Glossary for the End of Days gives us characters grappling with how to push on through dark days and dark times. This arresting, relevant collection tunes into and seeks to illuminate shared anxieties about the present—and future—of our world.
Ian Stansel is the author of the novel The Last Cowboys of San Geronimo and the short story collection Everybody’s Irish, a finalist for the PEN/Robert W. Bingham Prize for Debut Fiction. His fiction and nonfiction have appeared in numerous venues such as Ploughshares, Poets & Writers, Salon, Joyland, Cincinnati Review, and elsewhere. He teaches creative writing at the University of Louisville.

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