Gnawa Lions

Regular price €82.99
Title
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Christopher Witulski
African Studies
anthropology
Authenticity and Opportunity in Moroccan Ritual Music
Author_Christopher Witulski
Category=AVA
Category=JBCC1
Christopher Witulski
club
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
ethnography
ethnomusicology
Gnawa
Meknes
Middle Eastern Studies
Morocco
music
nighclub
PCMENA
performance
Public Cultures of the Middle East and North Africa
ritual
ritual music
The Gnawa Lions
venue
Witulski

Product details

  • ISBN 9780253036797
  • Dimensions: 152 x 229mm
  • Publication Date: 06 Aug 2018
  • Publisher: Indiana University Press
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Traditionally gnawa musicians in Morocco played for all-night ceremonies where communities gathered to invite spirits to heal mental, physical, and social ills untreatable by other means. Now gnawa music can be heard on the streets of Marrakech, at festivals in Essaouira, in Fez's cafes, in Casablanca's nightclubs, and in the bars of Rabat. As it moves further and further from its origins as ritual music and listeners seek new opportunities to hear performances, musicians are challenged to adapt to new tastes while competing for potential clients and performance engagements. Christopher Witulski explores how gnawa musicians straddle popular and ritual boundaries to assert, negotiate, and perform their authenticity in this rich ethnography of Moroccan music. Witulski introduces readers to gnawa performers, their friends, the places where they play, and the people they play for. He emphasizes the specific strategies performers use to define themselves and their multiple identities as Muslims, Moroccans, and traditional musicians. The Gnawa Lions reveals a shifting terrain of music, ritual, and belief that follows the negotiation of musical authenticity, popular demand, and economic opportunity.

Christopher Witulski is an instructor of ethnomusicology at Bowling Green State University in Bowling Green, Ohio.

More from this author