Goethe's Faust

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A01=John R. Williams
achievements and failures Goethe's classical mission Germany
Act Iii
Ausgabe Letzter Hand
Author_John R. Williams
Category=DSBD
Category=DSG
crisis of ancien regime in France and Germany
critical commentary on German classics
critical reception
cultural history interpretation
Dactylic Lines
dramatic structure
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Erich Trunz
European Romanticism
existential progress of Faust
Faust Drama
Faust II
Faust Legend
Faust's Opening Monologue
Faust's Role
Faust's Salvation
Faust’s Opening Monologue
Faust’s Role
Faust’s Salvation
German literary analysis
Golden Age Spanish Drama
Gretchen Episode
Gretchen Tragedy
Heinrich Von Morungen
historical and cultural profile Goethe's times
Iambic Pentameter
King James Bible Version
metrical forms
mimetic tragedy
mimetic tragedy theory
Ottava Rima
Prefatory Scenes
Shakespeare's Major Plays
Shakespeare’s Major Plays
Sturm Und Drang
Terza Rima
Vor Dem Tor
Wald Und
West Germany
Zahme Xenien

Product details

  • ISBN 9780367438401
  • Weight: 490g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Originally published in 1987, this is a thorough and lucid introduction and commentary to the whole of Goethe’s Faust. It gives the student of German and European literature valuable insights into the most important work of Germany’s foremost poet. German quotations are translated or paraphrased in English and a detailed knowledge of German literature is not assumed. The book traces Goethe’s work on the play over 60 years of his creative career and surveys its critical reception over the 200 years since its first appearance. Part One is analysed as a mimetic tragedy, Part Two as an historical and cultural profile of Goethe’s own times. The commentary guides the reader carefully through its subtleties and multi-layered references and provides a broad and coherent structure for the overall understanding of the work. It suggests provocative interpretations of some figures and episodes in Part Two and places renewed emphasis on parts of the work that often receive relatively little attention. An appendix surveys the metres and verse forms of the play.

John R. Williams was lecturer in German at the University of St. Andrews

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