Gold Was the Mortar

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A01=Henry Kraus
Alexander III
Amiens
Amiens Catherdral
Author_Henry Kraus
Bishop's Palace
Bishop’s Palace
Category=AMN
Category=KCZ
Category=NHDJ
Category=QRM
cathedral construction funding
cathedral-building programme
Cathedrals
Du Pin
ecclesiastical finance
economic development
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Golden Bells
Guillaume Le Breton
Innocent III
Lyon
Lyon Cathedral
medieval architecture
medieval cathedral financial case studies
Medieval Cathedrals
Medieval Economics
Medieval Europe
Medieval Paris
Medieval Religion
Medievalism
Notre Dame
Paris
patronage systems
Philippe III
Poitiers Cathedral
Pont Du
Pope Innocent III
religious institutions economics
Rouen Cathedral
social hierarchy
social hierarchy history
St Michael Le Belfrey
Strasbourg Cathedral
Toulouse
Toulouse Cathedral
Walter Gray
Wind Mills
Wool Cloth Surface
York Cathedral
Young Man

Product details

  • ISBN 9780367209438
  • Weight: 540g
  • Dimensions: 174 x 246mm
  • Publication Date: 31 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Originally published in 1979, Gold Was the Mortar details the financing and the building of the medieval cathedrals at Paris, Amiens, Toulouse, Lyon, Strasbourg, York, Poitiers and Rouen. The book examines the raising of funds and their expenditure, not only on the Cathedrals themselves, but also on the worldly ambitions of the bishop or archbishop, which went beyond the ‘wars and natural disasters’ theory to explain the reasons that caused the delays in building the cathedrals. The book also looks at the issues of building the cathedrals, such as the availability of finance and how for some there was a steady flow of funds while others suffered prolonged breaks. The book also provides case studies of specific cathedrals and examines how places such as York were held up by the internecine disputes with Canterbury; Toulouse and Poiters by the vast expropriations following conquests; and Lyon by the suppression of the commercial and social hierarchy. All the cathedrals depended on the benevolence of patrons, but the part played by the commoners, as revealed in wills and contemporary documents, was an extraordinary contribution, usually exceeding that of the nobility and royalty and sometimes that of the hierarchy itself.

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