Gombrowicz, Borges, and the Fictional Cosmos

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A01=Max Ubelaker Andrade
Adolfo Bioy Casares
Antisemitism
Argentinizacion
Artificial
Author_Max Ubelaker Andrade
Bibliographic Analysis
Caricature
Cartography
Category=DS
Category=DSBH
Category=DSM
Death and the Compass
Detective story
Dialogue
Don Quijote
Don Quixote
Engendering
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_nobargain
eq_non-fiction
Erotocism
Eurocentrism
Exile
Fascism
Ficciones
forthcoming
Gnostic theology
Handwriting
Idiosyncratic
immaterial bibliography
Individuality
Infinite Library
Interconnection
Interpretation
Intertextual
isolatedisolating
Jorge Luis Borges
La biblioteca de Babel
La muerte y la brujula
Las ruinas circulares
Latin American Studies
Literary studies
Marginality
mathematical combinatorics
Melancholy
Miguel de Cervantes
Nationalism
Nazism
Nostalgia
Order
Originality
Pierre Menard
Premio Formentor International Publisher's Prize
Racism
Reality formation
Rumor
Second-hand stories
Self
Selfhood
Sexuality
Space
Suicide
Symbols
Symmetry
The Circular Ruins
The Library of Babel
Totalizing
Traditionalism
Trans-Atlantico
Unintelligibility
Visuality
Witold Gombrowicz
World building

Product details

  • ISBN 9781684486144
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Nov 2026
  • Publisher: Bucknell University Press,U.S.
  • Publication City/Country: US
  • Product Form: Paperback
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Polish author Witold Gombrowicz's famously chaotic masterpiece, Cosmos, was profoundly influenced by Jorge Luis Borges—particularly by three key stories from Ficciones. Drawing on evidence that Gombrowicz read Ficciones in 1960, as well as handwritten marginalia in Gombrowicz's copy of Adolfo Bioy Casares's La invención de Morel, this groundbreaking study argues that Cosmos responded to Borges's literary transformations of cartography, mathematical combinatorics, and Miguel de Cervantes's Don Quijote. Along the way, it introduces the concept of "immaterial bibliography" to analyze imaginary texts appearing in literary works. Finally, it examines the tension between Borges's explicit racism and the ethical and aesthetic vision suggested by his fiction, revealing how rumor, rebellion, and literary inheritance shaped Gombrowicz's reading of Borges, which in turn influenced the composition of his prizewinning last novel.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Max Ubelaker Andrade is an associate teaching professor in Latin American Studies at the University of Massachusetts Lowell. He is the author of Borges Beyond the Visible and the translator of two books by Néstor Ponce: Desapariencia no engaña (Disappearance without Absence) and Vos es (boy says).

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